Centro Studi Opera Omnia Luigi Boccherinilogocs

Research in Musicology

adpAd Parnassum

A Journal of Eighteenth- and Nineteenth-Century Instrumental Music

CATEGORY B - EUROPEAN SCIENCE FOUNDATION -
Standing Committee for the Humanities Building a European Reference Index For the Humanities - ERIH

Editor-in-Chief / Legal Responsibility: Roberto De Caro

Editors: Roberto Illiano - Fulvia Morabito - Michela Niccolai - Claudio Nuzzo - Luca Sala - Massimiliano Sala

Advisory Board: Theophil Antonicek, Vienna - Eva Badura-Skoda, Vienna - Clive Brown, Leeds - Michele Calella, Vienna - Rémy Campos, Paris/Geneva - Federico Celestini, Graz - Bathia Churgin, Ramat Gan - Andrea Coen, Rome - Barry Cooper, Manchester - Dorothy de Val, Toronto - William Drabkin, Southampton - Sergio Durante, Padua - Dinko Fabris, Bari - Jean Gribenski, Poitiers - Christopher Hogwood, Cambridge (UK) - Ralph Locke, Rochester - Elio Matassi, Rome - Simon McVeigh, London - Leon Plantinga, New Haven - Irena Poniatowska, Warsaw - Rudolf Rasch, Utrecht - Giancarlo Rostirolla, Rome - David Rowland, Cambridge (UK) - Manfred Hermann Schmid, Tübingen - László Somfai, Budapest - Christian Speck, Koblenz-Landau - Rohan H. Stewart-MacDonald, Cambridge (UK) - Renata Suchowiejko, Krakow - Larry Todd, Durham

Consultant Editors: Paolo Dal Molin, France - Antonio Ezquerro Esteban, Spain - Giacomo Fornari, Italy - Andrea Lindmayr-Brandl, Austria - Peter Niedermüller, Germany - Adena Portowitz, Israel - Barbara Przybyszewska-Jarminska, Poland - Marina Ritzarev, Israel - Angela Romagnoli, Italy - Claudia Vincis, Switzerland - Pietro Zappalà, Italy

Ad Parnassum, a twice-yearly musicological journal, deals exclusively with instrumental music of the 18th and 19th centuries. Launched in 2003, the journal is a prestigious Italian achievement, and a reference point in the international music scene.
Ad Parnassum, which appears each year in April and October, accepts contributions in Italian, English, French, Spanish and German. Each issue includes articles and debates of significant scholarly interest (each article is accompanied by a summary in English), reviews of books relevant to the journal's field of interest, news, biographies of the contributors, a list of books received and an index of names.
Ad Parnassum is also complemented by monographs, the Ad Parnassum Studies.
The founding of a periodical of such cosmopolitan scope as Ad Parnassum has brought together numerous scholars of diverse nationalities. The journal is supported by an editorial committee consisting of musicologists with extensive experience in the specific field - a scholarly committee of great prestige. The journal also calls on the varied expertise of external collaborators.

- Every issue has: Book Reviews, News, Contributors, Books Received, Abstracts, Index of Names -

Proposals for articles in English, French, German, Italian and Spanish should be addressed to:
submission@adparnassum.org

Books and editions of new music to be considered for reviews should be addressed to:
Dr. Massimiliano Sala - via Pelleria, 25- I-55100 Lucca

read www.adparnassum.org

forthcoming

 

adp19Vol. 10 - No. 20 - October 2012

Walter Kreyszig
Quantz’s Adagio in C-Major for Flute and Basso continuo (QV 1:7) in His Versuch (1752):Baroque Ornamentation in the Context of the Mid-18th Century Music Theoretical Discourse and Compositions in the stilus mixtus
Graham Pont
Jazzing Handel: Rhythmic Alteration in Two Popular Marches
Rudolf Rasch
The Four Lives of Francesco Geminiani’s Violin Sonatas Opus 1 (1716-1762)
James Zychowicz
Disavowing Farewell: Mahler’s Sketches for the Coda

adp19Vol. 10 - No. 19 - April 2012

Bella Brover-Lubovsky
Vivaldi, Tiepolo, Algarotti and the Venetian bizzarie
João Pedro d’Alvarenga
Carlos Seixas’s Harpsichord Concerto in G Minor: An Essay in Style Analysis and Authorship Attribution
Elizabeth Kramer
Lebewohl, Abwesenheit,and Wiedersehn: Cyclic Integration in Beethoven’s«Grand Characteristic Sonata» in E flat, Op. 81a
Rudolf Rasch
An Essay in Style Analysis and Authorship Attribution
Murl Sickbert
Mozart’s ‘Jupiter’: A Memorial for Leopold?

LAST RELEASED

 

Vol. 9 - No. 18 - October 2011 pp. 140

 

 

Alistair Wightman
Religious Elements in Young Poland Music
Michael Murphy
The Actuality of Karłowicz's Artistic Authenticity and Authority
Luca Sala
«What Has Already Been Will Return No More». «Bianca da Molena» by Mieczysław Karłowicz: A Test of Musical Theater