edited by Fulvia Morabito, Turnhout, Brepols, 2019 (Speculum Musicae, 33), ISBN: 978-2-503-58369-3.
In the Baroque period there is a large discrepancy between sound entity and musical notation. In a context where the musical tradition, handwritten and printed, at times suggests …Read More →
edited by Roberto Illiano and Massimiliano Locanto, Turnhout, Brepols, 2019 (Music, Criticism & Politics, 8).
This book addresses the complex world of music criticism during the second half of the twentieth century, with particular emphasis on the relationship between music …Read More →
edited by Mark Everist, Lucca Centro Studi Opera Omnia Luigi Boccherini (MCN Studies, 1), ISBN: 978-88-9434-010-5.
Mark Everist: Introduction – Trading in the Unthinkable
Beverley Jerold: Marmontel’s Polymnie and Criticism
Kirsten Strandberg: Altruism and the Artiste…Read More →
Vicent Minguet (Institut-Escola Artístic Oriol Martorell, Barcelona, Spain): La crítica estética y social de Adorno al determinismo serial:
la forma musical, el material y su función social.
Georg Burgstaller (RILM, NY): Ideological Currents in Heinrich Schenker’s Post-War Polemics against …Read More →
"Performing Arts and Technical Issues in the 19th Century" International Conference - Lucca (18-20 October 2019)
• Scott Palmer (School of Performance and Cultural Industries, University of Leeds)
• Catrina Flint (Vanier College, Montréal)
Published by Centro Studi Opera Omnia Luigi Boccherini
Online ISSN 2532-9995