edited by Roberto Illiano and Massimiliano Locanto, Turnhout, Brepols, 2019 (Music, Criticism & Politics, 8).
This book addresses the complex world of music criticism during the second half of the twentieth century, with particular emphasis on the relationship between music …Read More →
edited by Jordi Ballester and German Gan Quesada, Turnhout, Brepols, 2018 (Music, Criticism & Politics, 7), pp. xiv+526, ISBN 978-2-503-58072-2.
edited by Beatriz Martínez del Fresno and Belén Vega Pichaco, Turnhout, Brepols Publishers, 2017 (Music, Criticism & Politics, 5), pp. XXXVI+568, ISBN 978-2-503-57740-1
In 1938, the first regular Government of General Franco was constituted in the “national area”. Under this …Read More →
Turnhout, Brepols, 2017 (Music, Criticism & Politics, 4), pp. xvi+122, ISBN 978-2-503-57739-5.
With the establishment of Il Regno d’Italia in 1861 the heydays of Risorgimento opera as a powerful political tool were over. A new category of operas, which is …Read More →
edited by Teresa Cascudo, Turnhout, Brepols, 2017 (Music, Criticism & Politics, 3), pp. xxiv + 526, ISBN 978-2-503-57497-4.
The “long nineteenth century” encompasses what has been described by some authors as “newspaper civilization”. Music was fundamental for many men and …Read More →
edited by Étienne Jardin, Turnhout, Brepols, 2016 (Music, Criticism & Politics, 2), pp. xii+468, ISBN 978-2-503-57032-7.
2014, with the commemoration of the centennial of the Great War, has been a productive year for research on the relation between music and …Read More →
"Performing Arts and Technical Issues in the 19th Century" International Conference - Lucca (18-20 October 2019)
• Scott Palmer (School of Performance and Cultural Industries, University of Leeds)
• Catrina Flint (Vanier College, Montréal)
Published by Centro Studi Opera Omnia Luigi Boccherini
Online ISSN 2532-9995