Facsimile of the edition J. Johnson 1760, with an Introduction by Deborah Burton, Turnhout, Brepols, 2017 (Musical Treatises, 4) pp. liv +178 color ill., 2017 ISBN: 978-2-503-57463-9.
Although Giorgio Antoniotto may not be known to many scholars today, he was …Read More →
Turnhout, Brepols, 2015 (Musical Treatises, 3), pp. xiv+160, ISBN 978-2-503-56479-1.
When a professional orchestra today plays an eighteenth-century work with parts for wind and brass instruments, nothing seems amiss. Yet writers in the eighteenth century and beyond indicate that many …Read More →
edited by Benjamin Wardhaugh, Turnhout, Brepols, 2013 (Musical Treatises, 2), pp. xlii+252, ISBN: 978-2-503-54898-2.
René Descartes’s Compendium musicæ was one of the most widely-read texts on the mathematics of music in the second half of the seventeenth century, offering a …Read More →
edited by Massimiliano Sala, facsimile of the 1775 Venice edition, with an annotated English translation by Robert Zappulla, Turnhout, Brepols, 2013 (Musical Treatises, 1), pp. xvi+216+116 (unnumbered tables), ISBN: 978-2-503-54883-8.
A composer of, amongst other things, operas, ballets, symphonies, string …Read More →
"Performing Arts and Technical Issues in the 19th Century" International Conference - Lucca (18-20 October 2019)
• Scott Palmer (School of Performance and Cultural Industries, University of Leeds)
• Catrina Flint (Vanier College, Montréal)
Published by Centro Studi Opera Omnia Luigi Boccherini
Online ISSN 2532-9995