Research in Musicology
• Fulvia Morabito La mano di Luigi Boccherini. Studio della scrittura alfabetica e musicale attraverso l'epistolario e i cataloghi autografi
• Remigio Coli Boccherini: cosa c'è dietro i vecchi cataloghi
• Loukia Drosopoulou The Manuscript MS 16735 (1-9) at the Bibliothèque nationale de France: A New Source for Boccherini's Opp. 10-13 and 17-21
• Loukia Drosopoulou Luigi Boccherini's String Quintets with Two Violas Opp. 60 and 62 (G 391-402): A Re-Examination of Their Origin
• Fulvia Morabito Il ritrovamento del lotto 520 di Liepmannssohn e le nuove testimonianze sulla vendita alla «Gitarristische Vereinigung» di Monaco di Baviera
• Elisa Grossato Gli scritti biografico-critici su Haydn e Boccherini e l'evolversi della fortuna dei due compositori fino alla prima metà dell'Ottocento
• Christian Orth Das Unisono der Celli – Beobachtungen zur Entwicklung von Boccherinis Quintettsatz
• Christian Orth Beispiele für die Verwendung von Alt- und Sopranschlüssel in den Cellostimmen bei Zeitgenossen Boccherinis [Nachtrag zu «Boccherini Studies. Volume 1» (2007), S. 219-243]
The music of Gustave Charpentier reveals to us a world in which music and social history are inextricably associated; his music sheds light on the contradictions which enlivened fin de siècle France.
Alistair Wightman
Religious Elements in Young Poland Music
Michael Murphy
The Actuality of Karłowicz’s Artistic Authenticity and Authority
Luca Sala
«What Has Already Been Will Return No More». «Bianca da Molena» by Mieczysław Karłowicz: A Test of Musical Theater
The 'Franco-Belgian Violin School'
from G.B. Viotti to E. Ysaÿe
Rethinking Stravinsky: Sounds and Gestures of Modernism
Central European Musicians and the Birth of French Piano Virtuosity
Massenet and the Mediterranean World
The purpose of the present work is to expand, in this very direction, the thorough study of a system of convergences and dissonances, whether in the sphere of aesthetics, or in the context of that which remains of the oeuvre in the complex and as yet unfinished history of its reception.
This critical edition collects Bernardo Pasquini’s sixty-plus unpublished cantatas. It not only enriches the field of studies on Roman vocal music during the last quarter of the 17th century, but also enhances our knowledge of this versatile composer.
Paola Palermo - Giulia Pecis Cavagna, Turnhout, Brepols Publishers, 2011 (Studies on Italian Music History, 5).
edited by Lorenzo Frassà, Turnhout, Brepols Publishers, 2011 (Specvlvm Mvsicae, 15).
edited by Rudolf Rasch, Turnhout, Brepols Publishers, 2011 (Specvlvm Mvsicae, 16).
