CALL FOR PAPERS CLOSED – DEFINITIVE PROGRAMME SOON
The Centro Studi Opera Omnia Luigi Boccherini of Lucca and Palazzetto Bru Zane – Centre de musique romantique française, Venice are pleased to invite submissions of proposals for the symposium «Performing Arts and Technical Issues in the 19th Century», to be held in Lucca, Complesso Monumentale di San Micheletto, from 18 to 20 October 2019.
It is only in recent years that musicology has seriously begun to focus on opera staging, representing as it does a crucial element in our understanding of theatrical production. The visual component is integral to the compositional process of opera; it is already present in the stage directions contained in scene booklets and scores, before finding its ultimate form in the most comprehensive examples of stage-booklets. Cross-comparison of these books with the score, sets, costumes and press reports, often accompanied by illustrations and photographs of the scenery, can now generate an understanding of the ‘three-dimensionality’ of a particular opera.
The present conference aims to address several facets of the artistic expression of a live performance, in particular focusing on the technical issues, people and institutions related to it. Thus dance, musical theatre, mime, puppetry, and other performing arts will be investigated through the lens of their various components — staging, lighting, sound, costumes, theatrical machines — as well as their protagonists — impresarios, tournée, companies, designers, conductors and directors .
The programme committee encourages submissions within the following areas, although other topics are also welcome:
- Stage Machinery: Scene Changes, Lighting, Sound Effects, Set, Illusions, etc.
Economical and Administrative Issues
- Companies and Tournées
- Stage Direction, Movements and Gestures
- Impresarios, Actors, Dancers, Designers, Conductors, etc.
- Mime, Puppetry, Dance and Choreography
- The Venues of Entertainment
- Press, Staging Manuals, Literature and Handbooks
• Roberto Illiano (Centro Studi Opera Omnia Luigi Boccherini)
• Étienne Jardin (Palazzetto Bru Zane – Centre de musique romantique française)
• Fulvia Morabito (Centro Studi Opera Omnia Luigi Boccherini)
• Massimiliano Locanto (Università degli Studi di Salerno)
• Michela Niccolai (LaM, Université libre de Bruxelles et IHRIM, Lyon2, Lyon)
• Massimiliano Sala (Centro Studi Opera Omnia Luigi Boccherini)
• Scott Palmer (School of Performance and Cultural Industries, University of Leeds)
• Catrina Flint (Vanier College, Montréal)