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Journal of Music Criticism 5 (2021)

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Registered Tribunale di Lucca – RG n. 1323/2017 | ISSN 2532-9995 | © Centro Studi Opera Omnia Luigi Boccherini. All rights reserved.

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  • Introduction. The Press as a Source in Musicology

Isabel Pina – Mariana Calado CESEM – NOVA / FCSH

  • Reading with Provincial Eyes: the French Musical Press beyond the Capital

Katharine Ellis (University of Cambridge)

  • Musical Machines: Foreignness, Gender, and the Mechanical Style

Kristen Strandberg (University of Evansville, IN) 

  • Mascagni’s media strategy: the case of Isabeau in Sonzogno’s publishing empire

Matteo Paoletti (University of Bologna)

  • Imagen gráfica y musicología: el motivo iconográfico del Lohengrin wagneriano como fuente para el estudio de la sociedad española de cambio de siglo (1892-1908)

José Ignacio Suárez García (University of Oviedo)

  • «Un camino de vuelta a normas de validez universal». La recepción del serialismo en Madrid a través de la crítica musical

Daniel Moro Vallina (University of Oviedo) 

  • The press as an agent of the formation and change of cultural patterns

Karsten Mackersen (Gießen University)

  • New Masterclass

    New Masterclass

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