Musical Competitions in Europe 1700-1920
organized by
Centro Studi Opera Omnia
Luigi Boccherini, Lucca
Palazzetto Bru Zane – Centre de musique
romantique française, Venice
in collaboration with
IAM - Italian Institute for Applied Musicology
Edizione Nazionale...
Transcending Nationalism: Music in Russia and East-Central Europe at the Turn of the 19th...
organized by
Centro Studi Opera Omnia Luigi Boccherini
in collaboration with
IAM - Italian Institute for Applied Musicology
(International Virtual Conference)
25 – 27 November 2022
Keynote Speakers:
Christoph...
Between Centres and Peripheries. Music in Europe from the French Revolution until WWI (1789-1914)
International Virtual Conference
06-09 May 2021
Music in the Disruptive Era: the Digital, the Internet and Beyond
organized by
Centro Studi Opera Omnia Luigi Boccherini, Lucca
Lucca, Complesso Monumentale di San Micheletto
14-16 December 2019
Symphonism in Nineteenth-Century Europe
Organized by
Centro Studi Opera Omnia Luigi Boccherini, Lucca
Research Group ERASMUSH, University of Oviedo (Oviedo, Spain)
Oviedo, Edificio Histórico de la Universidad de Oviedo
10-12 May 2018
Performing Arts And Technical Issues
Organised by
Centro Studi Opera Omnia Luigi Boccherini, Lucca
Palazzetto Bru Zane – Centre de musique romantique française, Venice
Lucca, Complesso Monumentale di San Micheletto
18-19 October 2019
Music, Cinema and Modernism
The Works and Heritage of Kurt Weill between Europe and America
Organized by
Centro Studi Opera Omnia Luigi Boccherini, Lucca
Dipartimento di Studi Umanistici, DAMS – CAM
Under the...
‘Women Are not Born to Compose’: Female Musical Works from 1750 to 1950
International Conference
Lucca, 27-29 November 2020
Keynote Speakers
Mariateresa Storino (Conservatorio di Musica ‘G. Rossini’, Pesaro)
Susan Wollenberg (Oxford University)
Music and Censorship in the 20th and 21st Centuries. Historical, Political and Social Context
organized by
Centro Studi Opera Omnia Luigi Boccherini (Lucca)
Virtual conference
10-12 February 2023
Programme Committee:
Germán Gan Quesada (Universitat Autònoma de Barcelona)
Roberto Illiano (Centro Studi Opera...
NEXT CONFERENCE
Intellectual Property and Music in the Theatre
International Conference organized by
Centro Studi Opera Omnia Luigi Boccherini
Research Group GRAE-MUSC, Universitat Autònoma de Barcelona
Research Group ERASMUSH, Universidad de Oviedo
----------------
Barcelona, Institut d’Estudis Catalans
13-15 May...
Beyond Corelli: Geminiani and the Instrumental Music of his Time
Lovere (BG), Centro Studi Opera Omnia Luigi Boccherini
Via Paglia 26/28
5-7 June 2026
FORTHCOMING CONFERENCES
Philosophical Hermeneutics and Musical Interpretation
organised by
Centro Studi Opera Omnia Luigi Boccherini
IAM-Institute for Applied Musicology
International Virtual Conference
19-21 June 2026
The Centro Studi Opera Omnia Luigi Boccherini and the Italian Institute...
Soundscapes of Entertainment: Music at Leisure in the 19th Century
organised by
Centro Studi Opera Omnia Luigi Boccherini
Juraj Dobrila University of Pula, Faculty of Educational Sciences
Croatian Musicological Society
Palazzetto Bru Zane
----------------
Juraj Dobrila University of Pula
Faculty of...
Beyond the Drawing Room: Women in the Promotion of Music in the Long...
International Conference organized by
Centro Studi Opera Omnia Luigi Boccherini
Palazzetto Bru Zane – Centre de musique romantique française
IAM-Institute for Applied Musicology
----------------
Lovere (BG), Centro Studi Opera...
The Reception of the Wiener Klassik in Central Europe in the Long Nineteenth...
International Conference organized by
Centro Studi Opera Omnia Luigi Boccherini
Palazzetto Bru Zane – Centre de musique romantique française (Venice)
IAM-Institute for Applied Musicology
----------------
Lovere (BG), Centro Studi...
NEW RELEASES
Music and the Figurative Arts in the Baroque Era
edited by Florence Gétreau and Fulvia Morabito, Turnhout, Brepols, 2025 (Speculum Musicae, 59), pp. xv+448+16 color ills., ISBN 978-2-503-62184-5.
Contents
The figurative arts — or the...
The Body in Musical Performance: Knowledge, Gesture, and Identity
edited by Marcello Mazzetti, Turnhout, Brepols, 2025 (Applied Music Studies, 2),pp. xx+276, ISBN 978-2-503-62192-0.
Contents
This volume offers a groundbreaking exploration of musical embodiment across time,...
Perspectives on the Music of György Kurtág: Performance, Language and Memory
Edited by Rachel Beckles Willson and Gergely Fazekas, Turnhout, Brepols, 2025 (Contemporary Composers, 7), pp. xii+252, ISBN 978-2-503-61866-1.
Contents
The present volume has been made possibile...
Embodied Musicology: Ways that Embodiment Shapes Performance and Reception
edited by Arnie Cox, Turnhout, Brepols, 2025 (Applied Music Studies, 1), ISBN 978-2-503-62191-3, pp. xvi+378.
Contents
For most of its history, as one might reasonably imagine,...