New Releases View All →

Popular Song in the 19th Century

edited by Derek B. Scott, Turnhout, Brepols, 2022 (Speculum Musicae, 46), pp. xxvi+358, ISBN 978-2-503-60078-9.

Many new and exciting kinds of popular song emerged in the 19th century, and the contributors to this volume place the development and reception …

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Massimiliano Locanto. Stravinsky and the Musical Body: Creative Process and Meaning

Turnhout, Brepols, 2021 (Speculum Musicae, 45), pp. xiv+398, ISBN 978-2-503-59778-2.

The present volume has been published with the generous support of the

Università degli Studi di Salerno (DISPAC)

Fondation Igor Stravinsky

The idea  that …

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Ad Parnassum Journal – Vol. 19 – No. 37- October 2021

Ad Parnassum Journal – Vol. 19 – No. 37 – October 2021, pp. 128

ARTICLES

Barry Cooper
The Origins of the Opening Motif in Beethoven’s Fifth Symphony

Imre Kovács
Bestowing the Beethovenian Musical Heritage to Liszt: The Weihekuss Reconsidered

Stefano

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La Musique religieuse en France au XIXe siècle : Le sentiment religieux entre profane et sacré (1830-1914)

edited by Nicolas Dufetel, Turnhout, Brepols Publishers, 2021 (Speculum Musicae, 44), pp. lvi+436, ISBN 978-2-503-59777-5.

The present volume has been made possible by the assistance of the

This volume investigates religious music in France during the 19th century, …

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Performing Arts and Technical Issues

edited by Roberto Illiano, Turnhout, Brepols Publishers, 2021 (Staging and Dramaturgy: Opera and the Performing Arts, 4), pp. xiv+446, ISBN 978-2-503-59739-3.

The present volume aims to address several facets of the artistic expression of a live …

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Boccherini, Luigi. Sinfonie concertanti – Symphonies concertantes (G 491, 523) [Opera Omnia – Vol. XIV]

edited by Fulvia Morabito and Massimiliano Sala, Bologna, Ut Orpheus Edizioni, 2019 [Opera Omnia – Vol. XIV], ISMN: 979-0-2153-2538-8, ISBN: 978-88-8109-509-4, BCE 10.

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Franck Jedrzejewski, La musique dodécaphonique et sérielle: une nouvelle histoire

Turnhout, Brepols, 2021 (Music, Science & Technology, 3), pp. XIV+522, ISBN 978-2-503-59486-6.

At the beginning of the twentieth century, Arnold Schönberg proposed a new way of composing in his Five Pieces for Piano that proceeded from a “series of 12 …

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Music Patronage in Italy

edited by Galliano Ciliberti, Turnhout, Brepols Publishers, 2021 (Studies on Italian Music History, 15), pp. xviii+492 , ISBN 978-2-503-59544-3.

During the Renaissance and throughout the Baroque and Classical periods, musical production is linked to patronage. There are essentially …

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Journal of Music Criticism 5 (2021)

  • Introduction. The Press as a Source in Musicology

Isabel Pina – Mariana Calado CESEM – NOVA / FCSH

  • Reading with Provincial Eyes: the French Musical Press beyond the Capital

Katharine Ellis (University of Cambridge)

  • Musical Machines: Foreignness, Gender, and the

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Singing Speech and Speaking Melodies: Minor Forms of Musical Theatre in the 18th and 19th Century

edited by María Encina Cortizo and Michela Niccolai, Turnhout, Brepols Publishers, 2021 (Speculum Musicae, 43), pp. xiv+562 , ISBN 978-2-503-59543-6.

This volume addresses the complex variety of stage works with sung and spoken sections, such as vaudeville, singspiel, …

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    Forthcoming Publications View All →

    Music and Science from Leonardo to Galileo

    edited by Rudolf Rasch, Turnhout, Brepols, 2022 (Music, Science & Technology, 5).

    Music is not only an art (either as the art of composition or the art of performance) but also a subject for scientific investigation. Scientists have always been …

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    Music in the Disruptive Era

    edited by David Hurwitz and Pedro Ordóñez Eslava, Turnhout, Brepols, 2022 (Music, Science & Technology, 4).

    Music in the Disruptive Era contains fifteen essays and commentary assessing the impact of today’s revolutionary digital technologies on the ways audiences and industry …

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    «I Don’t Belong Anywhere»: György Ligeti at 100

    edited by Wolfgang Marx, Turnhout, Brepols, 2022 (Contemporary Composers, 4).

    2023 marks the centenary of Ligeti’s birth. This appears to be an appropriate moment to take stock of the relevance this composer has in the contemporary world, to assess where …

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    Raffaella Bianchi. A Cultural History of La Scala in the Risorgimento (1814-1848)

    Turnhout, Brepols, 2022 (Studies on Italian Music History, 16).

    This study of the La Scala opera house uses the approaches of cultural history to explore the world of  Milan’s historic opera house at a crucial point in Italian History.

    It …

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      Forthcoming Conferences View All →

      Musical Exoticism in the Long Nineteenth Century (1789-1918)

      organized by

      Centro Studi Opera Omnia Luigi Boccherini (Lucca)

      Research Group ERASMUSH, University of Oviedo

      Palazzetto Bru Zane – Centre de musique romantique française, Venice

      12 – 15 May 2022

      Virtual Conference

       

       

      Programme Committee:

      • María Encina Cortizo
      Read More →

        Partnerships View All →

        Ad Parnassum Journal – Vol. 19 – No. 37- October 2021

        Ad Parnassum Journal – Vol. 19 – No. 37 – October 2021, pp. 128

        ARTICLES

        Barry Cooper
        The Origins of the Opening Motif in Beethoven’s Fifth Symphony

        Imre Kovács
        Bestowing the Beethovenian Musical Heritage to Liszt: The Weihekuss Reconsidered

        Stefano

        Read More →

        Ad Parnassum Journal – Vol. 19 – No. 36 – April 2021

        Ad Parnassum Journal – Vol. 19 – No. 36 – April 2021, pp. 164

        ARTICLES

        Judith Ortega Rodríguez
        Música para reyes. El archivo de música de la Real Cámara de Carlos IV y Fernando VII a través de sus inventarios …

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        Ad Parnassum Journal – Vol. 18 – No. 35 – April/October 2020

        Ad Parnassum Journal – Vol. 18 – No. 35 – April/October 2020, pp. 172

        ARTICLES

        Daniel F. Boomhower
        Musical Museums of Imaginary Works: Early Collectors of J. S. Bach’s Music and the Formation of Work-Concepts

        Francisco Javier Lupiáñez Ruiz
        Three …

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        Ad Parnassum Journal – Vol. 17 – No. 34 – October 2019

        Ad Parnassum Journal – Vol. 17 – No. 34 – October 2019, pp. 168

        ARTICLES

        José Aparisi Aparisi, Antonio Ezquerro Esteban
        Una obra espuria de Haydn y de cómo se acomodaron a la danza algunas melodías del dramma giocoso L’arbore

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        Antoine Reicha and the Making of the Nineteenth-Century Composer

        edited by Fabio Morabito and Louise Bernard de Raymond, Bologna, Ut Orpheus Edizioni 2020 (Quaderni Clementiani, 5), pp. 360, ISBN: 978-88-8109-522-3.

        Essays by Louise Benrard de Raymond, Muriel Boulan, Thomas Christensen, Étienne Jardin, Ellen Lockhart, Fabio Morabito, William O’Hara, Alban …

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        Ad Parnassum Journal – Vol. 17 – No. 33 – April 2019

        Ad Parnassum Journal – Vol. 17 – No. 33 – April 2019, pp. 118

        ARTICLES

        Piotr Wilk

        The Concerto in the Œuvre of Nicola Fiorenza

        Giusy De Berardinis

        Gaetano Valeri, «esimio armonista» a Padova

        Davide Mingozzi

        «Non l’Armonia ma la

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        Intercambios musicales entre España e Italia en los siglos XVIII y XIX / Gli scambi musicali fra Spagna e Italia nei secoli XVIII e XIX

        editado por / a cura di Víctor Sánchez Sánchez, Bologna, Ut Orpheus Edizioni, 2019 (Ad Parnassum Studies, 11), pp. xiv+516, ISBN: 978-88-8109-513-1.

        España e Italia mantuvieron unas fuertes relaciones culturales a lo largo de su historia. El mismo Miguel de …

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        Ad Parnassum Journal – Vol. 16 – No. 32 – October 2018

        ARTICLES

        Nieves Pascual León

        Tres suites de danzas para conjunto instrumental: nueva contribución a la gura de W. C. Printz (1641-1717) en el tercer centenario de su fallecimiento

        Giorgia Malagò

        Le lettere di Giuseppe Tartini come fonte per la storia

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        Sonatas for Harpsichord or Piano Opp. 7-10

        edited by Luca Lévi Sala and Rohan H. Stewart-MacDonald, Bologna, Ut Orpheus Edizioni, 2018 (Italian National Edition of Muzio Clementi’s Complete Works, VIII.2).

        Muzio Clementi’s Sonatas Opp. 7, 8, 9 and 10 belong to the ‘Viennese’ compositions, originating from the …

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        Ad Parnassum Journal – Vol. 16 – No. 31 – April 2018 pp. 128

        ARTICLES

        Graham Pont
        Handel’s Extempore

        Erica Buurman
        Three Symphonies in One Year? Beethoven’s Sketches of 1812…

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