New Releases View All →

Boccherini, Luigi. Sinfonie concertanti – Symphonies concertantes (G 491, 523) [Opera Omnia – Vol. XIV]

edited by Fulvia Morabito and Massimiliano Sala, Bologna, Ut Orpheus Edizioni, 2019 [Opera Omnia – Vol. XIV], ISMN: 979-0-2153-2538-8, ISBN: 978-88-8109-509-4, BCE 10.

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Franck Jedrzejewski, La musique dodécaphonique et sérielle: une nouvelle histoire

Turnhout, Brepols, 2021 (Music, Science & Technology, 3), pp. XIV+522, ISBN 978-2-503-59486-6.

At the beginning of the twentieth century, Arnold Schönberg proposed a new way of composing in his Five Pieces for Piano that proceeded from a “series of 12 …

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Music Patronage in Italy

edited by Galliano Ciliberti, Turnhout, Brepols Publishers, 2021 (Studies on Italian Music History, 15), pp. xviii+492 , ISBN 978-2-503-59544-3.

During the Renaissance and throughout the Baroque and Classical periods, musical production is linked to patronage. There are essentially …

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Journal of Music Criticism 5 (2021)

  • Introduction. The Press as a Source in Musicology

Isabel Pina – Mariana Calado CESEM – NOVA / FCSH

  • Reading with Provincial Eyes: the French Musical Press beyond the Capital

Katharine Ellis (University of Cambridge)

  • Musical Machines: Foreignness, Gender, and the

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Singing Speech and Speaking Melodies: Minor Forms of Musical Theatre in the 18th and 19th Century

edited by María Encina Cortizo and Michela Niccolai, Turnhout, Brepols Publishers, 2021 (Speculum Musicae, 43), pp. xiv+562 , ISBN 978-2-503-59543-6.

This volume addresses the complex variety of stage works with sung and spoken sections, such as vaudeville, singspiel, …

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Boccherini, Luigi. 6 Trios for 2 Violins and Violoncello Op. 4 (G 83-88) [Opera Omnia – Vol. XXVII.2]

edited by Rudolf Rasch, Bologna, Ut Orpheus Edizioni, 2019 [Opera Omnia – Vol. XXVII.2], ISMN: 979-0-2153-2648-4, ISBN: 978-88-8109-518-6, BCE 9.

Today Luigi Boccherini is best known as a composer of music for the cello – in particular sonatas and concertos

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Haydn’s Last Creative Period

edited by Federico Gon, Turnhout Brepols, 2021 (Speculum Musicae, 42), pp. xiv+366, ISBN 978-2-503-59488-0.

This volume focuses on one of the most crucial parts of Haydn’s career—a  key era in which the experiments of the 1770s arrived at the consolidation …

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Anna G. Piotrowska, From Gypsy to Bohemian: A Study of the Musical Rhapsody

Turnhout, Brepols, 2021 (Speculum Musicae, 41), pp. xxii+248, ISBN 978-2-503-59487-3.

This volume examines the concept of rhapsody through a broad lens. Beginning with a discussion of the meaning(s) of the term itself, it then traces the history and reception of …

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Luigi Cherubini: A Multifaceted Composer at the Turn of the 19th Century

edited by Massimiliano Sala, Turnhout, Brepols, 2020 (Studies on Italian Music History, 14), pp. x+494, ISBN 978-2-503-59100-1.

This volume investigates the figure of Luigi Cherubini, with the aim of providing a picture of the various faces that a composer and …

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    Forthcoming Publications View All →

    Performing Arts and Technical Issues

    edited by Roberto Illiano, Turnhout, Brepols Publishers, 2021 (Staging and Dramaturgy: Opera and the Performing Arts, 4).

    The present volume aims to address several facets of the artistic expression of a live performance, in particular focusing …

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    Massimiliano Locanto. Stravinsky and the Musical Body: Creative Process and Meaning

    The idea  that the body plays an essential role in music has stimulated a wide range of new approaches in recent musicology. This book tries to apply them to the music of Igor Stravinsky from the perspective of the creative …

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    La Musique religieuse en France au XIXe siècle : Le sentiment religieux entre profane et sacré (1830-1914)

    edited by Nicolas Dufetel, Turnhout, Brepols Publishers, 2021 (Speculum Musicae, 45).

    This volume investigates religious music in France during the 19th century, after the disruption of the French Revolution and the Concordat (1801), until a few years after the …

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      Forthcoming Conferences View All →

      The Sound of Empire: Soundscape, Aesthetics and Performance between Ancien régime and Restoration

      Organized by

      Centro Studi Opera Omnia Luigi Boccherini, Lucca

      Palazzetto Bru Zane – Centre de musique romantique française

      12-14 November 2021


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      Chamber Music 1850-1918

      On the occasion of the birth anniversaries of Antonín Dvořák and César Franck
      Organized by

      Centro Studi Opera Omnia Luigi Boccherini, Lucca

      Palazzetto Bru Zane – Centre de musique romantique française

      10-12 December 2021


      On the occasion …

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        Partnerships View All →

        Ad Parnassum Journal – Vol. 19 – No. 36 – April 2021

        Ad Parnassum Journal – Vol. 19 – No. 36 – April 2021, pp. 164


        Judith Ortega Rodríguez
        Música para reyes. El archivo de música de la Real Cámara de Carlos IV y Fernando VII a través de sus inventarios …

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        Ad Parnassum Journal – Vol. 18 – No. 35 – April/October 2020

        Ad Parnassum Journal – Vol. 18 – No. 35 – April/October 2020, pp. 172


        Daniel F. Boomhower
        Musical Museums of Imaginary Works: Early Collectors of J. S. Bach’s Music and the Formation of Work-Concepts

        Francisco Javier Lupiáñez Ruiz
        Three …

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        Ad Parnassum Journal – Vol. 17 – No. 34 – October 2019

        Ad Parnassum Journal – Vol. 17 – No. 34 – October 2019, pp. 168


        José Aparisi Aparisi, Antonio Ezquerro Esteban
        Una obra espuria de Haydn y de cómo se acomodaron a la danza algunas melodías del dramma giocoso L’arbore

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        Antoine Reicha and the Making of the Nineteenth-Century Composer

        edited by Fabio Morabito and Louise Bernard de Raymond, Bologna, Ut Orpheus Edizioni 2020 (Quaderni Clementiani, 5), pp. 360, ISBN: 978-88-8109-522-3.

        Essays by Louise Benrard de Raymond, Muriel Boulan, Thomas Christensen, Étienne Jardin, Ellen Lockhart, Fabio Morabito, William O’Hara, Alban …

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        Ad Parnassum Journal – Vol. 17 – No. 33 – April 2019

        Ad Parnassum Journal – Vol. 17 – No. 33 – April 2019, pp. 118


        Piotr Wilk

        The Concerto in the Œuvre of Nicola Fiorenza

        Giusy De Berardinis

        Gaetano Valeri, «esimio armonista» a Padova

        Davide Mingozzi

        «Non l’Armonia ma la

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        Intercambios musicales entre España e Italia en los siglos XVIII y XIX / Gli scambi musicali fra Spagna e Italia nei secoli XVIII e XIX

        editado por / a cura di Víctor Sánchez Sánchez, Bologna, Ut Orpheus Edizioni, 2019 (Ad Parnassum Studies, 11), pp. xiv+516, ISBN: 978-88-8109-513-1.

        España e Italia mantuvieron unas fuertes relaciones culturales a lo largo de su historia. El mismo Miguel de …

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        Ad Parnassum Journal – Vol. 16 – No. 32 – October 2018


        Nieves Pascual León

        Tres suites de danzas para conjunto instrumental: nueva contribución a la gura de W. C. Printz (1641-1717) en el tercer centenario de su fallecimiento

        Giorgia Malagò

        Le lettere di Giuseppe Tartini come fonte per la storia

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        Sonatas for Harpsichord or Piano Opp. 7-10

        edited by Luca Lévi Sala and Rohan H. Stewart-MacDonald, Bologna, Ut Orpheus Edizioni, 2018 (Italian National Edition of Muzio Clementi’s Complete Works, VIII.2).

        Muzio Clementi’s Sonatas Opp. 7, 8, 9 and 10 belong to the ‘Viennese’ compositions, originating from the …

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        Ad Parnassum Journal – Vol. 16 – No. 31 – April 2018 pp. 128


        Graham Pont
        Handel’s Extempore

        Erica Buurman
        Three Symphonies in One Year? Beethoven’s Sketches of 1812…

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        Francesco Geminiani – [Opera Omnia – Vol. 14]

        Dictionaire harmonique | Dictionarium harmonicum (1756) – Guida Armonica Op. 10 (1756) – A Supplement to the Guida Armonica (1758) – The Harmonical Miscellany (1758)

        edited by Richard Maunder and Rudolf Rasch, Bologna 2018 Ut Orpheus Edizioni (GCE 10), ISMN: …

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