edited by Fulvia Morabito, Turnhout, Brepols, 2019 (Speculum Musicae, 33), ISBN: 978-2-503-58369-3.
In the Baroque period there is a large discrepancy between sound entity and musical notation. In a context where the musical tradition, handwritten and printed, at times suggests …Read More →
edited by Emile Wennekes and Emilio Audissino, Turnhout, Brepols, 2019 (Speculum Musicae, 34).
Cinema is the form of entertainment that can be, above all, identified with the twentieth century. It gradually replaced theatre as a popular form of performed storytelling, …Read More →
edited by Roberto Illiano and Massimiliano Locanto, Turnhout, Brepols, 2019 (Music, Criticism & Politics, 8).
This book addresses the complex world of music criticism during the second half of the twentieth century, with particular emphasis on the relationship between music …Read More →
edited by Mark Everist, Lucca Centro Studi Opera Omnia Luigi Boccherini (MCN Studies, 1), ISBN: 978-88-9434-010-5.
Mark Everist: Introduction – Trading in the Unthinkable
Beverley Jerold: Marmontel’s Polymnie and Criticism
Kirsten Strandberg: Altruism and the Artiste…Read More →
Vicent Minguet (Institut-Escola Artístic Oriol Martorell, Barcelona, Spain): La crítica estética y social de Adorno al determinismo serial:
la forma musical, el material y su función social.
Georg Burgstaller (RILM, NY): Ideological Currents in Heinrich Schenker’s Post-War Polemics against …Read More →
Boccherini, Luigi. 9 Quintets for guitar, 2 violins, viola and violoncello (G 445-450, 451, 453) [Opera Omnia – Vol. XXII]
edited by Fulvia Morabito and Andrea Schiavina, Bologna, Ut Orpheus Edizioni, 2019 [Opera Omnia – Vol. XXII], ISMN: 979-0-2153-2538-8, ISBN: 978-88-8109-509-4, BCE 8.
Of the 16 Quintets for guitar and string quartet composed by Luigi Boccherini only 9 survived: nn. …Read More →
edited by Jonathan Kregor, Turnhout, Brepols, 2018 (Speculum Musicae, 32), pp. XIV+ 490, ISBN 978-2-503-58346-4.
The history of program music stretches back centuries, but only in the nineteenth century did it enter into widespread use. Indeed, seminal compositions by Ludwig …Read More →
Critical Edition by Fulvia Morabito – Massimiliano Sala, Bologna, Ut Orpheus Edizioni, 2018 (LOC 2), ISMN 979-0-2153-2539-5.
The “Leufsta” Sonata in G minor for violin and basso continuo by Pietro Antonio Locatelli (Bergamo, 1695 – Amsterdam, 1764) is produced by …Read More →
edited by Jordi Ballester and German Gan Quesada, Turnhout, Brepols, 2018 (Music, Criticism & Politics, 7), pp. xiv+526, ISBN 978-2-503-58072-2.
edited by Rudolf Rasch, Turnhout, Brepols, 2018 (Music, Criticism & Politics, 6), pp. xii+463, ISBN: 978-2-503-58071-5.
Music always functions in a specific environment. And, viewed from the other side, environments use music to confirm and strengthen their identities. Institutions of …Read More →
edited by Fabrizio Ammetto and Christian Speck, Bologna, Ut Orpheus Edizioni, 2018 [Opera Omnia – Vol. VI], ISMN: 979-0-2153-2537-1, ISBN: 978-88-8109-508-7, BCE 7.
The volume contains all sextets for two violins, violas and cellos composed by Boccherini according to current …Read More →
edited by Michael Stegemann, Turnhout, Brepols, 2018 (Speculum Musicae, 31), pp. XIV+ 406, ISBN 978-2-503-58070-8.
French composer Camille Saint-Saëns (1835-1921) is certainly one of the most fascinating and important figures in the music history of the 19th and early …Read More →
edited by Emilio Audissino, Turnhout, Brepols, 2018 (Contemporary Composers, 1), pp. xxiv+440, ISBN 978-2-503-58034-0.
Once mostly considered a commercial composer and a mere rewriter of previous composers’ styles, only recently – and quite belatedly – Williams’ music has begun to …Read More →
Nieves Pascual León
Tres suites de danzas para conjunto instrumental: nueva contribución a la gura de W. C. Printz (1641-1717) en el tercer centenario de su fallecimiento
Le lettere di Giuseppe Tartini come fonte per la storia
edited by Luca Lévi Sala and Rohan H. Stewart-MacDonald, Bologna, Ut Orpheus Edizioni, 2018 (Italian National Edition of Muzio Clementi’s Complete Works, VIII.2).
Muzio Clementi’s Sonatas Opp. 7, 8, 9 and 10 belong to the ‘Viennese’ compositions, originating from the …Read More →
Three Symphonies in One Year? Beethoven’s Sketches of 1812
Dictionaire harmonique | Dictionarium harmonicum (1756) – Guida Armonica Op. 10 (1756) – A Supplement to the Guida Armonica (1758) – The Harmonical Miscellany (1758)
edited by Richard Maunder and Rudolf Rasch, Bologna 2018 Ut Orpheus Edizioni (GCE 10), ISMN: …Read More →
12 Concertos after Corelli’s Sonatas Op. 5 (1726, 1729) (H. 132-143)
edited by Christopher Hogwood and Rudolf Rasch, Bologna 2018 Ut Orpheus Edizioni (GCE 9), ISMN: 979-0-2153-2503-6.
edited by Luca Lévi Sala, Bologna, Ut Orpheus Edizioni, 2012 (Italian National Edition of Muzio Clementi’s Complete Works, II.5), ISMN: 979-0-2153-1996-7, ISBN: 978-88-8109-477-6 (CCE 2).
We are aware only of a single manuscript source of the Concerto in C, composed …Read More →
"Performing Arts and Technical Issues in the 19th Century" International Conference - Lucca (18-20 October 2019)
• Scott Palmer (School of Performance and Cultural Industries, University of Leeds)
• Catrina Flint (Vanier College, Montréal)
Published by Centro Studi Opera Omnia Luigi Boccherini
Online ISSN 2532-9995