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Boccherini, Luigi. 6 Trios for 2 Violins and Violoncello Op. 4 (G 83-88) [Opera Omnia – Vol. XXVII.2]

edited by Rudolf Rasch, Bologna, Ut Orpheus Edizioni, 2019 [Opera Omnia – Vol. XXVII.2], ISMN: 979-0-2153-2648-4, ISBN: 978-88-8109-518-6, BCE 9.

Today Luigi Boccherini is best known as a composer of music for the cello – in particular sonatas and concertos

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Haydn’s Last Creative Period

edited by Federico Gon, Turnhout Brepols, 2021 (Speculum Musicae, 42), pp. xiv+366, ISBN 978-2-503-59488-0.

This volume focuses on one of the most crucial parts of Haydn’s career—a  key era in which the experiments of the 1770s arrived at the consolidation …

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Anna G. Piotrowska, From Gypsy to Bohemian: A Study of the Musical Rhapsody

Turnhout, Brepols, 2021 (Speculum Musicae, 41), pp. xxii+248, ISBN 978-2-503-59487-3.

This volume examines the concept of rhapsody through a broad lens. Beginning with a discussion of the meaning(s) of the term itself, it then traces the history and reception of …

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Luigi Cherubini: A Multifaceted Composer at the Turn of the 19th Century

edited by Massimiliano Sala, Turnhout, Brepols, 2020 (Studies on Italian Music History, 14), pp. x+494, ISBN 978-2-503-59100-1.

This volume investigates the figure of Luigi Cherubini, with the aim of providing a picture of the various faces that a composer and …

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Antoine Reicha and the Making of the Nineteenth-Century Composer

edited by Fabio Morabito and Louise Bernard de Raymond, Bologna, Ut Orpheus Edizioni 2020 (Quaderni Clementiani, 5), pp. 360, ISBN: 978-88-8109-522-3.

Essays by Louise Benrard de Raymond, Muriel Boulan, Thomas Christensen, Étienne Jardin, Ellen Lockhart, Fabio Morabito, William O’Hara, Alban …

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Ars Antiqua: Music and Culture in Europe c. 1150-1330

edited by Gregorio Bevilacqua and Thomas B. Payne, Turnhout, Brepols, 2020 (Speculum Musicae, 40), pp. xviii+318, ISBN: 978-2-503-59099-8.

The long thirteenth-century saw the emergence and proliferation of a diverse and unprecedented outpouring of musical activity known as the ars antiqua

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The Theatres of Sylvano Bussotti

edited by Daniela Tortora, Turnhout, Brepols, 2020 (Contemporary Composers, 3), pp. xxiv+604, ISBN: 978-2-503-58952-7.

The première of Sylvano Bussotti’s La Passion selon Sade occurred fifty years ago in Palermo during the fifth edition of “Settimane Internazionali Nuova Musica” (5 September …

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Music and the Figurative Arts in the Nineteenth Century

edited by Roberto Illiano, Turnhout, Brepols, 2020 (Speculum Musicae, 39), pp. xiv+528, ISBN: 978-2-503-58951-0.

In 1795 Friedrich Schiller wrote: «Die bildende Kunst in ihrer höchsten Vollendung muss Musik werden und uns durch unmittelbare sinnliche Gegenwart rühren» (Schiller, Über die ästhetische

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François De Médicis, La maturation artistique de Debussy dans son contexte historique (1884-1902)

Turnhout, Brepols, 2020 (Speculum Musicae, 38), pp. xx+814, ISBN: 978-2-503-58950-3

This work is centered on the figure of Claude Debussy in the years between 1884 and 1902 — from the moment he captured the Prix de Rome to the premiere …

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Rossini after Rossini: Musical and Social Legacy

edited by Arnold Jacobshagen, Turnhout, Brepols, 2020 (Studies on Italian Music History, 13), ISBN: 978-2-503-58820-9, pp. xiv+420.

This volume reflects on Gioachino Rossini (1792-1868) and the international reception of his work 150 years after his death.

Rossini was the most …

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    Forthcoming Publications View All →

    Singing Speech and Speaking Melodies: Minor Forms of Musical Theatre in the 18thand 19thCentury

    edited by María Encina Cortizo and Michela Niccolai, Turnhout, Brepols Publishers, 2021 (Speculum Musicae, 43).

    This volume addresses the complex variety of stage works with sung and spoken sections, such as vaudeville, singspiel, opéra-comiquezarzuela or operetta 

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    Music Patronage in Italy

    edited by Galliano Ciliberti, Turnhout, Brepols Publishers, 2021 (Studies on Italian Music History, 15).

     

    During the Renaissance and throughout the Baroque and Classical periods, musical production is linked to patronage. There are essentially two types of patronage. …

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    Franck Jedrzejewski, La musique dodécaphonique et sérielle: une nouvelle histoire

    Turnhout, Brepols, 2021 (Music, Science & Technology, 3).

    At the beginning of the twentieth century, Arnold Schönberg proposed a new way of composing in his Five Pieces for Piano that proceeded from a “series of 12 tones which have no …

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      Forthcoming Conferences View All →

      Music, Cinema, and Modernism. The Works and Heritage of Kurt Weill between Europe and America

      Virtual Conference, 20-21 May 2021

      Keynote Speakers

      Nils Grosch (Universität Salzburg)

      Stephen Hinton (Stanford University)

      —————–

      The conference will be in streaming on the web tv  of the University of Torino at the link:

      —————–

      PROGRAMME

      THURSDAY 20 MAY

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      Between Centres and Peripheries. Music in Europe from the French Revolution until WWI (1789-1914)

      International Virtual Conference

      06-09 May 2021

      The Centro Studi Opera Omnia Luigi Boccherini of Lucca, the Research Group ERASMUSH of the University of Oviedo (Spain) and the Palazzetto Bru Zane – Centre de musique romantique française of Venice are pleased …

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      The Figured Bass Accompaniment in Europe

      CALL FOR PAPERS

      Brescia, Scuola Diocesana di Musica ‘Santa Cecilia’

      10-12 September 2021

      The Centro Studi Opera Omnia Luigi Boccherini of Lucca, the Research Group Palma Choralis® and the Dipartimento di Musica Antica ‘Città di Brescia’ – are …

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      Italian Film Music, 1950s-1970s: Between Tradition, Innovation, and Internationalisation

      Organized by

      Centro Studi Opera Omnia Luigi Boccherini, Lucca

      15-17 October 2021

      CALL FOR PAPERS

      The Centro Studi Opera Omnia Luigi Boccherini of Lucca is pleased to invite submissions of proposals for the symposium «Italian Film Music, 1950s-1970s: Between

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      The Sound of Empire: Soundscape, Aesthetics and Performance between Ancien régime and Restoration

      Organized by

      Centro Studi Opera Omnia Luigi Boccherini, Lucca

      Palazzetto Bru Zane – Centre de musique romantique française

      12-14 November 2021

      CALL FOR PAPERS

      The Centro Studi Opera Omnia Luigi Boccherini of Lucca and the Palazzetto Bru Zane – Centre …

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      Chamber Music 1850-1918


      On the occasion of the birth anniversaries of Antonín Dvořák and César Franck
      Organized by

      Centro Studi Opera Omnia Luigi Boccherini, Lucca

      Palazzetto Bru Zane – Centre de musique romantique française

      10-12 December 2021

      CALL FOR PAPERS

      On the occasion …

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        Partnerships View All →

        Ad Parnassum Journal – Vol. 18 – No. 35 – April/October 2020

        Ad Parnassum Journal – Vol. 18 – No. 35 – April/October 2020, pp. 172

        ARTICLES

        Daniel F. Boomhower
        Musical Museums of Imaginary Works: Early Collectors of J. S. Bach’s Music and the Formation of Work-Concepts

        Francisco Javier Lupiáñez Ruiz
        Three …

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        Ad Parnassum Journal – Vol. 17 – No. 34 – October 2019

        Ad Parnassum Journal – Vol. 17 – No. 34 – October 2019, pp. 168

        ARTICLES

        José Aparisi Aparisi, Antonio Ezquerro Esteban
        Una obra espuria de Haydn y de cómo se acomodaron a la danza algunas melodías del dramma giocoso L’arbore

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        Antoine Reicha and the Making of the Nineteenth-Century Composer

        edited by Fabio Morabito and Louise Bernard de Raymond, Bologna, Ut Orpheus Edizioni 2020 (Quaderni Clementiani, 5), pp. 360, ISBN: 978-88-8109-522-3.

        Essays by Louise Benrard de Raymond, Muriel Boulan, Thomas Christensen, Étienne Jardin, Ellen Lockhart, Fabio Morabito, William O’Hara, Alban …

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        Ad Parnassum Journal – Vol. 17 – No. 33 – April 2019

        Ad Parnassum Journal – Vol. 17 – No. 33 – April 2019, pp. 118

        ARTICLES

        Piotr Wilk

        The Concerto in the Œuvre of Nicola Fiorenza

        Giusy De Berardinis

        Gaetano Valeri, «esimio armonista» a Padova

        Davide Mingozzi

        «Non l’Armonia ma la

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        Intercambios musicales entre España e Italia en los siglos XVIII y XIX / Gli scambi musicali fra Spagna e Italia nei secoli XVIII e XIX

        editado por / a cura di Víctor Sánchez Sánchez, Bologna, Ut Orpheus Edizioni, 2019 (Ad Parnassum Studies, 11), pp. xiv+516, ISBN: 978-88-8109-513-1.

        España e Italia mantuvieron unas fuertes relaciones culturales a lo largo de su historia. El mismo Miguel de …

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        Ad Parnassum Journal – Vol. 16 – No. 32 – October 2018

        ARTICLES

        Nieves Pascual León

        Tres suites de danzas para conjunto instrumental: nueva contribución a la gura de W. C. Printz (1641-1717) en el tercer centenario de su fallecimiento

        Giorgia Malagò

        Le lettere di Giuseppe Tartini come fonte per la storia

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        Sonatas for Harpsichord or Piano Opp. 7-10

        edited by Luca Lévi Sala and Rohan H. Stewart-MacDonald, Bologna, Ut Orpheus Edizioni, 2018 (Italian National Edition of Muzio Clementi’s Complete Works, VIII.2).

        Muzio Clementi’s Sonatas Opp. 7, 8, 9 and 10 belong to the ‘Viennese’ compositions, originating from the …

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        Ad Parnassum Journal – Vol. 16 – No. 31 – April 2018 pp. 128

        ARTICLES

        Graham Pont
        Handel’s Extempore

        Erica Buurman
        Three Symphonies in One Year? Beethoven’s Sketches of 1812…

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        Francesco Geminiani – [Opera Omnia – Vol. 14]

        Dictionaire harmonique | Dictionarium harmonicum (1756) – Guida Armonica Op. 10 (1756) – A Supplement to the Guida Armonica (1758) – The Harmonical Miscellany (1758)

        edited by Richard Maunder and Rudolf Rasch, Bologna 2018 Ut Orpheus Edizioni (GCE 10), ISMN: …

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        Francesco Geminiani – [Opera Omnia – Vol. 7]

        12 Concertos after Corelli’s Sonatas Op. 5 (1726, 1729) (H. 132-143)

        edited by Christopher Hogwood and Rudolf Rasch, Bologna 2018 Ut Orpheus Edizioni (GCE 9), ISMN: 979-0-2153-2503-6.

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          • New Masterclass

            New Masterclass
          Journal of Music Criticism | NEW ISSUE 4 (2020)More
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