New Releases View All →

Giacinto Scelsi: Music across the Borders

edited by Federico Celestini, Turnhout, Brepols, 2019 (Contemporary Composers, 2), pp. xxx+416, ISBN 978-2-503-58644-1.

The opening of the archive of the Isabella Scelsi Foundation in Rome in 2009 has facilitated new research perspectives on the work and the significance of …

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Music and the Second Industrial Revolution

edited by Massimiliano Sala, Turnhout, Brepols, 2019 (Music, Science and Technology, 2), pp. xiv+498, ISBN: 978-2-503-58571-0.

The Second Industrial Revolution, new industrial societies, and growing urbanization drastically changed the life of humankind at the turn of the nineteenth and twentieth

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Twentieth-Century Music and Mathematics

edited by Roberto Illiano, with an Introduction by Massimiliano Locanto, Turnhout, Brepols, 2019 (Music, Science and Technology, 1), pp. xxxiv+382, ISBN: 978-2-503-58570-3

Music and mathematics have been connected since ancient times. During the twentieth century, however, many composers consciously started …

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Music Criticism 1950-2000

edited by Roberto Illiano and Massimiliano Locanto, Turnhout, Brepols, 2019 (Music, Criticism & Politics, 8), pp. xxiv + 420, ISBN 978-2-503-58442-3.

This book addresses the complex world of music criticism during the second half of the twentieth century, with particular …

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Cinema Changes: Incorporations of Jazz in the Film Soundtrack

edited by Emile Wennekes and Emilio Audissino, Turnhout, Brepols, 2019 (Speculum Musicae, 34), pp. XXVI+334, ISBN 978-2-503-58447-8

Cinema is the form of entertainment that can be, above all, identified with the twentieth century. It gradually replaced theatre as a popular …

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Musical Improvisation in the Baroque Era

edited by Fulvia Morabito, Turnhout, Brepols, 2019 (Speculum Musicae, 33), ISBN: 978-2-503-58369-3.

In the Baroque period there is a large discrepancy between sound entity and musical notation. In a context where the musical tradition, handwritten and printed, at times suggests …

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Journal of Music Criticism – Volume 2, (2018)

Contents

Vicent Minguet (Institut-Escola Artístic Oriol Martorell, Barcelona, Spain): La crítica estética y social de Adorno al determinismo serial:
la forma musical, el material y su función social.

Georg Burgstaller (RILM, NY): Ideological Currents in Heinrich Schenker’s Post-War Polemics against

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Boccherini, Luigi. 9 Quintets for guitar, 2 violins, viola and violoncello (G 445-450, 451, 453) [Opera Omnia – Vol. XXII]

edited by Fulvia Morabito and Andrea Schiavina, Bologna, Ut Orpheus Edizioni, 2019 [Opera Omnia – Vol. XXII], ISMN: 979-0-2153-2538-8, ISBN: 978-88-8109-509-4, BCE 8.

Of the 16 Quintets for guitar and string quartet composed by Luigi Boccherini only 9 survived: nn. …

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    Forthcoming Publications View All →

    J. Hirshberg. Tragedy and Lieto Fine in Romantic Opera Seria

    Turnhout, Brepols, 2019 (Studies on Italian Music History, 12), ISBN: 978-2-503-58642-7.

    In a seminal essay Carl Dahlhaus has pointed out that »often it is possible to turn the ending in a different direction without making any difference to the substance …

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    Symphonism in Nineteenth-Century Europe

    edited by José Ignacio Suárez García and Ramón Sobrino Sánchez, Turnhout, Brepols, 2019 (Specvlvm Mvsicae, 35).

    This volume deals, from multiple perspectives, with the complex world of European symphonism during the nineteenth century, a period in which it encompassed not …

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    Henry-Louis de La Grange, Gustav Mahler: The Arduous Road to Vienna (1860-1897)

    completed with, revised and edited by Sybille Werner, Turnhout, Brepols, 2020 (Speculum Musicae, 36).

    This long awaited revised volume I completes Henry-Louis de La Grange’s four-volume English language biography of the Austrian composer Gustav Mahler (1860–1911), which is widely considered …

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    Music Publishing and Composers (1750-1850)

    edited by Massimiliano Sala,Turnhout, Brepols, 2020 (Specvlvm Mvsicae, 37).

    The development of music publishing in the final years of the eighteenth and first decades of the nineteenth century had a decisive and far-reaching influence on every facet of the music …

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    Rossini after Rossini: Musical and Social Legacy

    edited by Arnold Jacobshagen, Turnhout, Brepols, 2020 (Studies on Italian Music History, 13)

    This volume reflects on Gioachino Rossini (1792-1868) and the international reception of his work 150 years after his death.

    Rossini was the most influential opera composer of …

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      Forthcoming Conferences View All →

      Performing Arts and Technical Issues in the 19th Century

      International Conference organised by

      Centro Studi Opera Omnia Luigi Boccherini, Lucca

      Palazzetto Bru Zane – Centre de musique romantique française, Venice

      Lucca, Complesso Monumentale di San Micheletto

      18-19 October 2019


      FRIDAY 
      18 OCTOBER

      9.30-10.15 Welcome and Registration

      10.15-10.30 Opening

      • Fulvia
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      Music Patronage in Italy from the 15th to the 18th Century

      International Conference organised by

      Centro Studi Opera Omnia Luigi Boccherini, Lucca

      Lucca, Complesso Monumentale di San Micheletto

      16-18 November 2019

      SATURDAY 16 NOVEMBER

      9.30-10.00 Welcome and Registration

      10.00-10.15 Opening

      • Fulvia Morabito (Centro Studi Opera Omnia Luigi Boccherini)

      10.15-11.15 Keynote Speaker

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      Popular Songs in the 19th Century

      International Conference organised by

      Centro Studi Opera Omnia Luigi Boccherini, Lucca

      Palazzetto Bru Zane – Centre de musique romantique française, Venice

      Lucca, Complesso Monumentale di San Micheletto

      30 November – 02 December 2019

      SATURDAY 30 NOVEMBER

      9.30-10.15 Welcome and Registration

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      Music in the Disruptive Era: the Digital, the Internet and Beyond

      organized by

      Centro Studi Opera Omnia Luigi Boccherini, Lucca

      Lucca, Complesso Monumentale di San Micheletto

      14-16 December 2019

       

      SATURDAY 14 DECEMBER

      9.00-9.45 Welcome and Registration

      9.45-10.00 Opening

      • Fulvia Morabito (Centro Studi Opera Omnia Luigi Boccherini)

      10.00-11.00 Keynote Speaker 1

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      Beethoven the European

      The Centro Studi Opera Omnia Luigi Boccherini of Lucca, in collaboration with Ad Parnassum. A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, is pleased to invite submissions of proposals for the symposium «Beethoven the European», …

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      Music, Cinema, and Modernism. The Works and Heritage of Kurt Weill between Europe and America

      The Centro Studi Opera Omnia Luigi Boccherini of Lucca and the DAMS/Università di Torino are pleased to invite submissions of proposals for the symposium «Music, Cinema, and Modernism. The Works and Heritage of Kurt Weill between Europe and America»

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      ‘Women Are not Born to Compose’: Female Musical Works from 1750 to 1950

      The Centro Studi Opera Omnia Luigi Boccherini of Lucca, in collaboration with Palazzetto Bru Zane – Centre de musique romantique française, Venice, is pleased to invite submissions of proposals for the symposium «‘Women Are not Born to Compose’: Female

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      Music and Resistance

      CALL FOR PAPERS

      The Centro Studi Opera Omnia Luigi Boccherini of Lucca, in collaboration with the Universitat Autònoma de Barcelona (I+D+i RTI2018-093436-B-I00 “Music and Dance in Sociocultural, Identity and Political Processes during the Second Francoism and the Democratic Transition (1959-1978)”), …

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        Partnerships View All →

        Ad Parnassum Journal – Vol. 17 – No. 33 – April 2019

        Ad Parnassum Journal – Vol. 17 – No. 33 – April 2019, pp. 118

        ARTICLES

        Piotr Wilk

        The Concerto in the Œuvre of Nicola Fiorenza

        Giusy De Berardinis

        Gaetano Valeri, «esimio armonista» a Padova

        Davide Mingozzi

        «Non l’Armonia ma la

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        Intercambios musicales entre España e Italia en los siglos XVIII y XIX / Gli scambi musicali fra Spagna e Italia nei secoli XVIII e XIX

        editado por / a cura di Víctor Sánchez Sánchez, Bologna, Ut Orpheus Edizioni, 2019 (Ad Parnassum Studies, 11), pp. xiv+516, ISBN: 978-88-8109-513-1.

        España e Italia mantuvieron unas fuertes relaciones culturales a lo largo de su historia. El mismo Miguel de …

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        Ad Parnassum Journal – Vol. 16 – No. 32 – October 2018

        ARTICLES

        Nieves Pascual León

        Tres suites de danzas para conjunto instrumental: nueva contribución a la gura de W. C. Printz (1641-1717) en el tercer centenario de su fallecimiento

        Giorgia Malagò

        Le lettere di Giuseppe Tartini come fonte per la storia

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        Sonatas for Harpsichord or Piano Opp. 7-10

        edited by Luca Lévi Sala and Rohan H. Stewart-MacDonald, Bologna, Ut Orpheus Edizioni, 2018 (Italian National Edition of Muzio Clementi’s Complete Works, VIII.2).

        Muzio Clementi’s Sonatas Opp. 7, 8, 9 and 10 belong to the ‘Viennese’ compositions, originating from the …

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        Ad Parnassum Journal – Vol. 16 – No. 31 – April 2018 pp. 128

        ARTICLES

        Graham Pont
        Handel’s Extempore

        Erica Buurman
        Three Symphonies in One Year? Beethoven’s Sketches of 1812

        0
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        Francesco Geminiani – [Opera Omnia – Vol. 14]

        Dictionaire harmonique | Dictionarium harmonicum (1756) – Guida Armonica Op. 10 (1756) – A Supplement to the Guida Armonica (1758) – The Harmonical Miscellany (1758)

        edited by Richard Maunder and Rudolf Rasch, Bologna 2018 Ut Orpheus Edizioni (GCE 10), ISMN: …

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        Francesco Geminiani – [Opera Omnia – Vol. 7]

        12 Concertos after Corelli’s Sonatas Op. 5 (1726, 1729) (H. 132-143)

        edited by Christopher Hogwood and Rudolf Rasch, Bologna 2018 Ut Orpheus Edizioni (GCE 9), ISMN: 979-0-2153-2503-6.

        0

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        Concerto for Piano and Orchestra Op-sn 30

        edited by Luca Lévi Sala, Bologna, Ut Orpheus Edizioni, 2012 (Italian National Edition of Muzio Clementi’s Complete Works, II.5), ISMN: 979-0-2153-1996-7, ISBN: 978-88-8109-477-6 (CCE 2).

        We are aware only of a single manuscript source of the Concerto in C, composed …

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