New Releases View All →

The Theatres of Sylvano Bussotti

edited by Daniela Tortora, Turnhout, Brepols, 2020 (Contemporary Composers, 3), pp. xxiv+604, ISBN: 978-2-503-58952-7.

The première of Sylvano Bussotti’s La Passion selon Sade occurred fifty years ago in Palermo during the fifth edition of “Settimane Internazionali Nuova Musica” (5 September …

Read More →

Music and the Figurative Arts in the Nineteenth Century

edited by Roberto Illiano, Turnhout, Brepols, 2020 (Speculum Musicae, 39), pp. xiv+528, ISBN: 978-2-503-58951-0.

In 1795 Friedrich Schiller wrote: «Die bildende Kunst in ihrer höchsten Vollendung muss Musik werden und uns durch unmittelbare sinnliche Gegenwart rühren» (Schiller, Über die ästhetische

Read More →

François De Médicis, La maturation artistique de Debussy dans son contexte historique (1884-1902)

Turnhout, Brepols, 2020 (Speculum Musicae, 38), pp. xx+814, ISBN: 978-2-503-58950-3

This work is centered on the figure of Claude Debussy in the years between 1884 and 1902 — from the moment he captured the Prix de Rome to the premiere …

Read More →

Rossini after Rossini: Musical and Social Legacy

edited by Arnold Jacobshagen, Turnhout, Brepols, 2020 (Studies on Italian Music History, 13), ISBN: 978-2-503-58820-9, pp. xiv+420.

This volume reflects on Gioachino Rossini (1792-1868) and the international reception of his work 150 years after his death.

Rossini was the most …

Read More →

Music Publishing and Composers (1750-1850)

edited by Massimiliano Sala, Turnhout, Brepols, 2020 (Specvlvm Mvsicae, 37), pp. xiv+322, ISBN: 978-2-503-58815-5.

The development of music publishing in the final years of the eighteenth and first decades of the nineteenth century had a decisive and far-reaching influence on …

Read More →

Henry-Louis de La Grange, Gustav Mahler: The Arduous Road to Vienna (1860-1897)

completed, revised and edited by Sybille Werner, Turnhout, Brepols, 2020 (Speculum Musicae, 36), pp. xviii+810, ISBN 978-2-503-58814-8.

 

This long awaited revised volume I completes Henry-Louis de La Grange’s four-volume English language biography of the Austrian composer Gustav Mahler (1860–1911), …

Read More →

Symphonism in Nineteenth-Century Europe

edited by José Ignacio Suárez García and Ramón Sobrino Sánchez, Turnhout, Brepols, 2019 (Specvlvm Mvsicae, 35), pp. xiv+484, ISBN 978-2-503-58643-4.

This volume deals, from multiple perspectives, with the complex world of European symphonism during the nineteenth century, a period in …

Read More →

J. Hirshberg. Tragedy and Lieto Fine in Romantic Opera Seria

Turnhout, Brepols, 2019 (Studies on Italian Music History, 12), pp. x+266, ISBN: 978-2-503-58642-7.

In a seminal essay Carl Dahlhaus has pointed out that »often it is possible to turn the ending in a different direction without making any difference to …

Read More →

Giacinto Scelsi: Music across the Borders

edited by Federico Celestini, Turnhout, Brepols, 2019 (Contemporary Composers, 2), pp. xxx+416, ISBN 978-2-503-58644-1.

The opening of the archive of the Isabella Scelsi Foundation in Rome in 2009 has facilitated new research perspectives on the work and the significance of …

Read More →

Twentieth-Century Music and Mathematics

edited by Roberto Illiano, with an Introduction by Massimiliano Locanto, Turnhout, Brepols, 2019 (Music, Science and Technology, 1), pp. xxxiv+382, ISBN: 978-2-503-58570-3

Music and mathematics have been connected since ancient times. During the twentieth century, however, many composers consciously started …

Read More →

    Forthcoming Publications View All →

    Ars Antiqua: Music and Culture in Europe c. 1150-1330

    edited by Gregorio Bevilacqua and Thomas B. Payne, Turnhout, Brepols, 2020 (Speculum Musicae, 41).

    The long thirteenth-century saw the emergence and proliferation of a diverse and unprecedented outpouring of musical activity known as the ars antiqua.

    Polyphonic, monophonic, liturgical, …

    Read More →

    Luigi Cherubini: A Multifaceted Composer at the Turn of the 19th Century

    edited by Massimiliano Sala, Turnhout, Brepols, 2020 (Studies on Italian Music History, 14)

    This volume investigates the figure of Luigi Cherubini, with the aim of providing a picture of the various faces that a composer and his output could present …

    Read More →

    Anna G. Piotrowska, From Gypsy to Bohemian: A Study in Musical Rhapsody

    Turnhout, Brepols, 2021 (Speculum Musicae, 41).

    This volume examines the concept of rhapsody through a broad lens. Beginning with a discussion of the meaning(s) of the term itself, it then traces the history and reception of the genre and its …

    Read More →

    Franck Jedrzejewski, La musique dodécaphonique et sérielle: une nouvelle histoire

    Turnhout, Brepols, 2021 (Music, Science & Technology, 3).

    At the beginning of the twentieth century, Arnold Schönberg proposed a new way of composing in his Five Pieces for Piano that proceeded from a “series of 12 tones which have no …

    Read More →

    Haydn’s Last Creative Period

    edited by Federico Gon, Turnhout Brepols, 2021 (Speculum Musicae, 42).

    This volume focuses on one of the most crucial parts of Haydn’s career—a  key era in which the experiments of the 1770s arrived at the consolidation and definition of new …

    Read More →

      Call for papers View All →

      Music, Cinema, and Modernism. The Works and Heritage of Kurt Weill between Europe and America

      The Centro Studi Opera Omnia Luigi Boccherini of Lucca and the DAMS/Università di Torino are pleased to invite submissions of proposals for the symposium «Music, Cinema, and Modernism. The Works and Heritage of Kurt Weill between Europe and America»

      Read More →

      Between Centres and Peripheries. Music in Europe from the French Revolution until WWI (1789-1914)

      ———

      International Virtual Conference

      06-08 May 2021

      The Centro Studi Opera Omnia Luigi Boccherini of Lucca, the Research Group ERASMUSH of the University of Oviedo (Spain) and the Palazzetto Bru Zane – Centre de musique romantique française of Venice are …

      Read More →

      The Figured Bass Accompaniment in Europe

      CALL FOR PAPERS

      Brescia, Scuola Diocesana di Musica ‘Santa Cecilia’

      10-12 September 2021

      The Centro Studi Opera Omnia Luigi Boccherini of Lucca, the Research Group Palma Choralis® and the Dipartimento di Musica Antica ‘Città di Brescia’ – are …

      Read More →

      Italian Film Music, 1950s-1970s: Between Tradition, Innovation, and Internationalisation

      Organized by

      Centro Studi Opera Omnia Luigi Boccherini, Lucca

      Lucca, Complesso Monumentale di San Micheletto

      15-17 October 2021

      CALL FOR PAPERS

      The Centro Studi Opera Omnia Luigi Boccherini of Lucca is pleased to invite submissions of proposals for the symposium …

      Read More →

      The Sound of Empire: Soundscape, Aesthetics and Performance between Ancien régime and Restoration

      CALL FOR PAPERS

      Lucca, Complesso Monumentale di San Micheletto

      12-14 November 2021

      The Centro Studi Opera Omnia Luigi Boccherini of Lucca and the Palazzetto Bru Zane – Centre de musique romantique française of Venice are pleased to invite submissions of …

      Read More →

      Chamber Music 1850-1918


      On the occasion of the birth anniversaries of Antonín Dvořák and César Franck

       

      Lucca, Complesso Monumentale di San Micheletto

      10-12 December 2021

      CALL FOR PAPERS

      On the occasion of the birth anniversaries of Antonín Dvořák and César Franck, the …

      Read More →

        Partnerships View All →

        Ad Parnassum Journal – Vol. 18 – No. 35 – April/October 2020

        Ad Parnassum Journal – Vol. 18 – No. 35 – April/October 2020, pp. 172

        ARTICLES

        Daniel F. Boomhower
        Musical Museums of Imaginary Works: Early Collectors of J. S. Bach’s Music and the Formation of Work-Concepts

        Francisco Javier Lupiáñez Ruiz
        Three …

        Read More →

        Ad Parnassum Journal – Vol. 17 – No. 34 – October 2019

        Ad Parnassum Journal – Vol. 17 – No. 34 – October 2019, pp. 168

        ARTICLES

        José Aparisi Aparisi, Antonio Ezquerro Esteban
        Una obra espuria de Haydn y de cómo se acomodaron a la danza algunas melodías del dramma giocoso L’arbore

        Read More →

        Ad Parnassum Journal – Vol. 17 – No. 33 – April 2019

        Ad Parnassum Journal – Vol. 17 – No. 33 – April 2019, pp. 118

        ARTICLES

        Piotr Wilk

        The Concerto in the Œuvre of Nicola Fiorenza

        Giusy De Berardinis

        Gaetano Valeri, «esimio armonista» a Padova

        Davide Mingozzi

        «Non l’Armonia ma la

        Read More →

        Intercambios musicales entre España e Italia en los siglos XVIII y XIX / Gli scambi musicali fra Spagna e Italia nei secoli XVIII e XIX

        editado por / a cura di Víctor Sánchez Sánchez, Bologna, Ut Orpheus Edizioni, 2019 (Ad Parnassum Studies, 11), pp. xiv+516, ISBN: 978-88-8109-513-1.

        España e Italia mantuvieron unas fuertes relaciones culturales a lo largo de su historia. El mismo Miguel de …

        Read More →

        Ad Parnassum Journal – Vol. 16 – No. 32 – October 2018

        ARTICLES

        Nieves Pascual León

        Tres suites de danzas para conjunto instrumental: nueva contribución a la gura de W. C. Printz (1641-1717) en el tercer centenario de su fallecimiento

        Giorgia Malagò

        Le lettere di Giuseppe Tartini come fonte per la storia

        Read More →

        Sonatas for Harpsichord or Piano Opp. 7-10

        edited by Luca Lévi Sala and Rohan H. Stewart-MacDonald, Bologna, Ut Orpheus Edizioni, 2018 (Italian National Edition of Muzio Clementi’s Complete Works, VIII.2).

        Muzio Clementi’s Sonatas Opp. 7, 8, 9 and 10 belong to the ‘Viennese’ compositions, originating from the …

        Read More →

        Ad Parnassum Journal – Vol. 16 – No. 31 – April 2018 pp. 128

        ARTICLES

        Graham Pont
        Handel’s Extempore

        Erica Buurman
        Three Symphonies in One Year? Beethoven’s Sketches of 1812…

        Read More →

        Francesco Geminiani – [Opera Omnia – Vol. 14]

        Dictionaire harmonique | Dictionarium harmonicum (1756) – Guida Armonica Op. 10 (1756) – A Supplement to the Guida Armonica (1758) – The Harmonical Miscellany (1758)

        edited by Richard Maunder and Rudolf Rasch, Bologna 2018 Ut Orpheus Edizioni (GCE 10), ISMN: …

        Read More →

        Francesco Geminiani – [Opera Omnia – Vol. 7]

        12 Concertos after Corelli’s Sonatas Op. 5 (1726, 1729) (H. 132-143)

        edited by Christopher Hogwood and Rudolf Rasch, Bologna 2018 Ut Orpheus Edizioni (GCE 9), ISMN: 979-0-2153-2503-6.

        Read More →

        Concerto for Piano and Orchestra Op-sn 30

        edited by Luca Lévi Sala, Bologna, Ut Orpheus Edizioni, 2012 (Italian National Edition of Muzio Clementi’s Complete Works, II.5), ISMN: 979-0-2153-1996-7, ISBN: 978-88-8109-477-6 (CCE 2).

        We are aware only of a single manuscript source of the Concerto in C, composed …

        Read More →
          • New Masterclass

            New Masterclass
          Journal of Music Criticism | NEW ISSUE 4 (2020)More
          + +