New Releases View All →

Music Publishing and Composers (1750-1850)

edited by Massimiliano Sala,Turnhout, Brepols, 2020 (Specvlvm Mvsicae, 37), pp. xiv+322, ISBN: 978-2-503-58815-5.

The development of music publishing in the final years of the eighteenth and first decades of the nineteenth century had a decisive and far-reaching influence on every …

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Henry-Louis de La Grange, Gustav Mahler: The Arduous Road to Vienna (1860-1897)

completed, revised and edited by Sybille Werner, Turnhout, Brepols, 2020 (Speculum Musicae, 36), pp. xviii+810, ISBN 978-2-503-58814-8.

 

This long awaited revised volume I completes Henry-Louis de La Grange’s four-volume English language biography of the Austrian composer Gustav Mahler (1860–1911), …

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Symphonism in Nineteenth-Century Europe

edited by José Ignacio Suárez García and Ramón Sobrino Sánchez, Turnhout, Brepols, 2019 (Specvlvm Mvsicae, 35), pp. xiv+484, ISBN 978-2-503-58643-4.

This volume deals, from multiple perspectives, with the complex world of European symphonism during the nineteenth century, a period in …

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J. Hirshberg. Tragedy and Lieto Fine in Romantic Opera Seria

Turnhout, Brepols, 2019 (Studies on Italian Music History, 12), pp. x+266, ISBN: 978-2-503-58642-7.

In a seminal essay Carl Dahlhaus has pointed out that »often it is possible to turn the ending in a different direction without making any difference to …

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Giacinto Scelsi: Music across the Borders

edited by Federico Celestini, Turnhout, Brepols, 2019 (Contemporary Composers, 2), pp. xxx+416, ISBN 978-2-503-58644-1.

The opening of the archive of the Isabella Scelsi Foundation in Rome in 2009 has facilitated new research perspectives on the work and the significance of …

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Music and the Second Industrial Revolution

edited by Massimiliano Sala, Turnhout, Brepols, 2019 (Music, Science and Technology, 2), pp. xiv+498, ISBN: 978-2-503-58571-0.

The Second Industrial Revolution, new industrial societies, and growing urbanization drastically changed the life of humankind at the turn of the nineteenth and twentieth

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Twentieth-Century Music and Mathematics

edited by Roberto Illiano, with an Introduction by Massimiliano Locanto, Turnhout, Brepols, 2019 (Music, Science and Technology, 1), pp. xxxiv+382, ISBN: 978-2-503-58570-3

Music and mathematics have been connected since ancient times. During the twentieth century, however, many composers consciously started …

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Music Criticism 1950-2000

edited by Roberto Illiano and Massimiliano Locanto, Turnhout, Brepols, 2019 (Music, Criticism & Politics, 8), pp. xxiv + 420, ISBN 978-2-503-58442-3.

This book addresses the complex world of music criticism during the second half of the twentieth century, with particular …

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    Forthcoming Publications View All →

    Rossini after Rossini: Musical and Social Legacy

    edited by Arnold Jacobshagen, Turnhout, Brepols, 2020 (Studies on Italian Music History, 13), ISBN: 978-2-503-58820-9, pp. xiv+420.

    This volume reflects on Gioachino Rossini (1792-1868) and the international reception of his work 150 years after his death.

    Rossini was the most …

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    François De Médicis, La maturation artistique de Debussy dans son contexte historique (1884-1902)

    Turnhout, Brepols, 2020 (Speculum Musicae, 38), ISBN: 978-2-503-58950-3

    This work is centered on the figure of Claude Debussy in the years between 1884 and 1902 — from the moment he captured the Prix de Rome to the premiere of Pelléas

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    Music and the Figurative Arts in the Nineteenth Century

    edited by Roberto Illiano, Turnhout, Brepols, 2020 (Speculum Musicae, 39), ISBN: 978-2-503-58951-0.

    In 1795 Friedrich Schiller wrote: «Die bildende Kunst in ihrer höchsten Vollendung muss Musik werden und uns durch unmittelbare sinnliche Gegenwart rühren» (Schiller, Über die ästhetische Erziehung des

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    The Theatres of Sylvano Bussotti

    edited by Daniela Tortora, Turnhout, Brepols, 2020 (Contemporary Composers, 3), ISBN: 978-2-503-58952-7.

    The première of Sylvano Bussotti’s La Passion selon Sade occurred fifty years ago in Palermo during the fifth edition of “Settimane Internazionali Nuova Musica” (5 September 1965). La

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    Ars Antiqua: Music and Culture in Europe c. 1150-1330

    edited by Gregorio Bevilacqua and Thomas B. Payne, Turnhout, Brepols, 2020 (Speculum Musicae, 41).

    The long thirteenth-century saw the emergence and proliferation of a diverse and unprecedented outpouring of musical activity known as the ars antiqua.

    Polyphonic, monophonic, liturgical, …

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      Forthcoming Conferences View All →

      Beethoven the European

      International Conference

      Beethoven the European

      Lucca, Complesso Monumentale di San Micheletto

      FRIDAY 27 MARCH

      9.30-10.00 Welcome and Registration

      10.00-10.15 Opening

      Fulvia Morabito (Centro Studi Opera Omnia Luigi Boccherini)

      Malcolm Miller (The Open University, UK)

      Room 1: 10.30-11.30 Keynote

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      Music, Cinema, and Modernism. The Works and Heritage of Kurt Weill between Europe and America

      The Centro Studi Opera Omnia Luigi Boccherini of Lucca and the DAMS/Università di Torino are pleased to invite submissions of proposals for the symposium «Music, Cinema, and Modernism. The Works and Heritage of Kurt Weill between Europe and America»

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      Financing Music in Europe from the 18th to the Early 20th Century

      The Centro Studi Opera Omnia Luigi Boccherini of Lucca, in collaboration with Palazzetto Bru Zane – Centre de musique romantique française, Venice, is pleased to invite submissions of proposals for the symposium «Financing Music in Europe from the

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      Music and Science from Leonardo to Galileo

      CALL FOR PAPERS

      The Centro Studi Opera Omnia Luigi Boccherini in Lucca is pleased to invite submissions for the conference «Music and Science from Leonardo to Galileo», to be held in Lucca, Complesso Monumentale di San Micheletto, from …

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      ‘Women Are not Born to Compose’: Female Musical Works from 1750 to 1950

      The Centro Studi Opera Omnia Luigi Boccherini of Lucca, in collaboration with Palazzetto Bru Zane – Centre de musique romantique française, Venice, is pleased to invite submissions of proposals for the symposium «‘Women Are not Born to Compose’: Female

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      Music and Resistance

      CALL FOR PAPERS

      The Centro Studi Opera Omnia Luigi Boccherini of Lucca, in collaboration with the Universitat Autònoma de Barcelona (I+D+i RTI2018-093436-B-I00 “Music and Dance in Sociocultural, Identity and Political Processes during the Second Francoism and the Democratic Transition (1959-1978)”), …

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        Partnerships View All →

        Ad Parnassum Journal – Vol. 17 – No. 34 – October 2019

        Ad Parnassum Journal – Vol. 17 – No. 34 – October 2019, pp. 168

        ARTICLES

        José Aparisi Aparisi, Antonio Ezquerro Esteban
        Una obra espuria de Haydn y de cómo se acomodaron a la danza algunas melodías del dramma giocoso L’arbore

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        Ad Parnassum Journal – Vol. 17 – No. 33 – April 2019

        Ad Parnassum Journal – Vol. 17 – No. 33 – April 2019, pp. 118

        ARTICLES

        Piotr Wilk

        The Concerto in the Œuvre of Nicola Fiorenza

        Giusy De Berardinis

        Gaetano Valeri, «esimio armonista» a Padova

        Davide Mingozzi

        «Non l’Armonia ma la

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        Intercambios musicales entre España e Italia en los siglos XVIII y XIX / Gli scambi musicali fra Spagna e Italia nei secoli XVIII e XIX

        editado por / a cura di Víctor Sánchez Sánchez, Bologna, Ut Orpheus Edizioni, 2019 (Ad Parnassum Studies, 11), pp. xiv+516, ISBN: 978-88-8109-513-1.

        España e Italia mantuvieron unas fuertes relaciones culturales a lo largo de su historia. El mismo Miguel de …

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        Ad Parnassum Journal – Vol. 16 – No. 32 – October 2018

        ARTICLES

        Nieves Pascual León

        Tres suites de danzas para conjunto instrumental: nueva contribución a la gura de W. C. Printz (1641-1717) en el tercer centenario de su fallecimiento

        Giorgia Malagò

        Le lettere di Giuseppe Tartini come fonte per la storia

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        Sonatas for Harpsichord or Piano Opp. 7-10

        edited by Luca Lévi Sala and Rohan H. Stewart-MacDonald, Bologna, Ut Orpheus Edizioni, 2018 (Italian National Edition of Muzio Clementi’s Complete Works, VIII.2).

        Muzio Clementi’s Sonatas Opp. 7, 8, 9 and 10 belong to the ‘Viennese’ compositions, originating from the …

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        Ad Parnassum Journal – Vol. 16 – No. 31 – April 2018 pp. 128

        ARTICLES

        Graham Pont
        Handel’s Extempore

        Erica Buurman
        Three Symphonies in One Year? Beethoven’s Sketches of 1812

        0
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        Francesco Geminiani – [Opera Omnia – Vol. 14]

        Dictionaire harmonique | Dictionarium harmonicum (1756) – Guida Armonica Op. 10 (1756) – A Supplement to the Guida Armonica (1758) – The Harmonical Miscellany (1758)

        edited by Richard Maunder and Rudolf Rasch, Bologna 2018 Ut Orpheus Edizioni (GCE 10), ISMN: …

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        Francesco Geminiani – [Opera Omnia – Vol. 7]

        12 Concertos after Corelli’s Sonatas Op. 5 (1726, 1729) (H. 132-143)

        edited by Christopher Hogwood and Rudolf Rasch, Bologna 2018 Ut Orpheus Edizioni (GCE 9), ISMN: 979-0-2153-2503-6.

        0

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        Concerto for Piano and Orchestra Op-sn 30

        edited by Luca Lévi Sala, Bologna, Ut Orpheus Edizioni, 2012 (Italian National Edition of Muzio Clementi’s Complete Works, II.5), ISMN: 979-0-2153-1996-7, ISBN: 978-88-8109-477-6 (CCE 2).

        We are aware only of a single manuscript source of the Concerto in C, composed …

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