Rudolf Rasch

— Driehonderd brieven over muziek van, aan en rond Constantijn Huygens (1596-1687), Hilversum, Verloren, 2007.
— De cantiones natalitiae en het kerkelijke muziekleven in de Zuidelijke Nederlanden gedurende de zeventiende eeuw,Utrecht, Vereniging voor Nederlandse Muziekgeschiedenis, 1985 (Muziekhistorische Monografieën, 10).
— Johannes de Garlandia en de ontwikkeling van de voor-Franconische notatie, Brooklyn, Institute of Mediaeval Music, 1969.

Books edited
— Beyond Notes: Improvisation in Western Music of the Eighteenth and Nineteenth Centuries, Turnhout, Brepols, 2011 (Speculum Musicae, 16).
— Béatrix en Constantijn: De briefwisseling tussen Béatrix de Cusance en Constantijn Huygens 1652-1662, translated and edited by Ineke Huysman and Rudolf Rasch, Amsterdam, Boom, 2009.
— The Circulation of Music in Europe 1600-1900: A Collection of Essays and Case Studies, Berlin, Berliner Wissenschafts-Verlag, 2008.
— Music Publishing in Europe 1600-1900: Concept and Issues. Bibliography, Berlin, Berliner Wissenschafts-Verlag, 2005.
— Unico Wilhelm van Wassenaer: Componist en staatsman,edited by Rudolf Rasch and Kees Vlaardingerbroek, Zutphen-Hilversum, WalburgPers-CNM, 1993.

— ‘The Volatility of Musical Composition’, in: Beyond Notes: Improvisation in Western Music of the Eighteenth and Nineteenth Centuries, edited by Rudolf Rasch, Turnhout, Brepols, 2011 (Speculum Musicae, 16), pp. 1-15.
— ‘Soixante ans de réception de la musique de Lully en Hollande (1655-1715)’, in: L’invention des genres lyriques et leur redécouverte au XIXe siècle, Ouvrage coordonné par Agnès Terrier et Alexandre Dratwicki, Lyon, Symétrie, 2010, pp. 99-115.
— ‘Johann Matthesons «Douze Sonates à deux et trois flûtes sans basse» (Amsterdam: Estienne Roger, 1709) und die Frühgeschichte des Duos und Trios ohne Generalbass’, in: Johann Mattheson als Vermittler und Initiator: Wissentrasnfer und die Etablierung neuer Diskurse in der ersten Hälfte des 18. Jahrhunderts, edited by Wolfgang Hirschmann and Bernhard Jahn, Hildesheim, Olms, 2010, pp. 315-335.
— René Descartes, ‘Samenvatting van der muziekleer’, Translation by Rudolf Rasch, in: René Descartes, Bibliotheek Descartes in acht banden, Band I: Samenvatting van de muziekleer, Persoonlijke aantekeningen, Descartes’ dromen, Regels om richring te geven van het verstand, edited by Erik-Jan Bos, Han van Ruler, introduction and annotations by Han van Ruler, translations by Jeanne Holierhoek, Rudolf Rasch, Corinna Vermeulen, Amsterdam, Boom, 2010, pp. 55-149.
— ‘Tradizioni manoscritti e a stampa delle musiche di Luigi Boccherini’, in Instrumental Music and the Industrial Revolution, edited by Roberto Illiano and Luca Lévi Sala, Bologna, Ut Orpheus Edizioni, 2010 (Ad Parnassum Studies 5), pp. 409-440.
— ‘Evoluzione formali della sinfonia (1738): Una raccolta manoscritta per il Teatri di Amsterdam’, in: Antonio Brioschi e il nuovo stile musicale del Settecento lombardo, Atti del convengno internazionale Alessandria, 20-21 settembre 2008, edited by Davide Daolmi and Cesare Fertonani, Milan, Edizioni Universitarie di Lettere, Economia, Diritto, 2010, pp. 105-118.
— ‘The Transition from Harpsichord to Pianoforte in the Northern Netherlands’, in: La cultura del Fortepiano / Die Kultur des Hammerklaviers 1770-1830: Atti del Convegno internazionale di studi, edited by Richard Bösel, Bologna, Ut Orpheus Edizioni, 2009 (Quaderni Clementiani, 3), pp. 299-320.
— ‘The Music Shop of Estienne Roger (1698-1709)’, in: «La la la… Maistre Henri»: Mélanges de musicologie offerts à Henri Vanhulst, edited by Christine Ballman and Valérie Dufour, Turnhout, Brepols, 2009 (Épitome Musical), pp. 279-314.
— ‘Luigi Boccherini’s Six Duets for Two Violins, Op. 3’, in: Boccherini Studies. Volume II, edited by Christian Speck, Bologna, Ut Orpheus Edizioni, 2009 (BS, 2), pp. 22-112.
— ‘Northern Changes to Southern Music: Seventeenth-Century Dutch Adaptations of French and Italian Music’, in: The Circulation of Music in Europe 1600-1900: A Collection of Eassays and Case Studies, edited by Rudolf Rasch, Berlin, Berliner Wissenschafts-Verlag, 2008, pp. 227-255.
— ‘Simon Stevin and the Calculation of Equal Temperament’, in: Music and Mathematics in Late Medieval and Early Modern Europe, edited by Philippe Vendrix, Turnhout, Brepols, 2008, pp. 253-319.
— ‘Migliorare il perfetto: Le edizioni delle sonate a tre di Corelli (ed altre edizioni corelliane) stampate ad Amsterdam nel Primo Settecento’, in: Arcangelo Corelli fra mito e realtà storica: Nuove prospettive d’indagine musicologica e interdisciplinare nel 350° anniversario della nascita. Atti del Congresso Internazionale di Studi, Fusignano, 11-14 settembre 2003, edited by Gregory Barnett, Antonella D’Ovidio and Stefano La Via, Florence, Olschki, 2007, pp. 381-417.
— ‘Music in Spain in the 1670s Through the Eyes of Sébastien Chièze and Constantijn Huygens’, in: Anuario Musical, LXII (2007), pp. 97-124.
— ‘Luigi Boccherini and the Music Publishing Trade’, in: Boccherini Studies. Volume I, edited by Christian Speck, Bologna, Ut Orpheus Edizioni, 2007 (BS, 1), pp. 63-142.
— ‘Italian Opera in Amsterdam 1750-1756: The Troupes of Crosa, Giordani, Lapis, and Ferrari’, in: Italian Opera in Central Europe, Volume I: Institutions and Ceremonies, edited by Melania Bucciarelli, Norbert Dubowy and Reinhard Strohm, Berlin, Berliner Wissenschafts-Verlag, 2006, pp. 115-146.
— ‘Is Automatic Music a Genre?’, in: Royal Music Machines, edited by J.J.L. Haspels, Utrecht, Nationaal Museum van Speelklok tot Pierement; Zutphen, Walburg Pers, 2006, pp. 63-85.
— ‘Circular Sequences in Mozart’s Piano Sonatas’, in: Dutch Journal of Music Theory, XI (2006), pp. 178-202.
— ‘Clemens and Crecquillon in the «Septiesme livre»’, in: Beyond Contemporary Fame: Reassessing the Art of Clemens non Papa and Thomas Crecquillon, edited by Eric Jas, Turnhout, Brepols, 2005, pp. 89-123.
— ‘Trumpeting in the Dutch Republic’, in: Brass Music at the Cross Roads of Europe: The Low Countries and Contexts of Brass Musicians from the Reniassance into the Nineteenth Century. Proceedings of the International Historic Brass Symposium presented by STIMU and The Historic Brass Society, Utrecht, August 26-27, 2000, edited by Keith Polk,Utrecht, Stimu, 2005, pp. 537-555.
— ‘Basic Concepts’, Chapter I in: Music Publishing in Europe 1600-1900: Concept and, Issues. Bibliography, edited by Rudolf Rasch, Berlin, Berliner Wissenschafts-Verlag, 2005, pp. 13-46.
— ‘Publishers and Publishers’, Chapter VIII in: ibidem, pp. 183-208.
— ‘Lully und Corelli auf dem batavischen Parnass’, in: Basler Jahrbuch für Historische Musikpraxis, XXVII (2004), pp. 123-142.
— ‘The Dutch Republic in the Eighteenth-Century as a Place of Publication for Traveling Musicians’, in: Le musicien et ses voyages: Pratiques, réseaux et représentations, edited by Christian Meyer, Berlin, Berliner Wissenschafts-Verlag, 2003, pp. 95-111.
— ‘Johann Jacob Froberger’s Travels 1649-1653’, in: The Keyboard in Baroque Europe, edited by Christopher Hogwood, Cambridge, Cambridge University Press, 2003, pp. 19-35.
— ‘«Il cielo batavo»: I compositori italiani e le edizioni olandesi delle loro opere strumentali nel primo Settecento’, in: Italienische Instrumentalemusik des 18. Jahrhunderts: Alte und neue Protagonisten, edited by Enrico Careri and Markus Engelhardt, Laaber, Laaber Verlaag, 2002 (Analecta Musicologica, 32), pp. 237-266.
— ‘Modality in Sweelinck’s Psalm Compositions’, in: Sweelinck Studies: Proceedings of the International Sweelinck Symposium Utrecht 1999, edited by Pieter Dirksen, Utrecht, STIMU, 2002, pp. 147-170.
— ‘How Much Is Lost, or Do We Know What We Don’t Know? Observations on the Loss of Printed Music from the Seventeenth and Eighteenth Centuries’, in: Album amicorum Albert Dunning, in occasione del suo LXV compleanno, edited by Giacomo Fornari, Turnhout, Brepols, 2002, pp. 461-494.
— ‘A Venetian Goes North: Pietro Antonio Fiocco in Amsterdam, Hanover and Brussels’, in: Belgisch Tijdschrift voor Muziekwetenschap, LVI (2002), pp. 177-207.
— ‘Muzio Clementi: The Last Composer-Publisher’, in: Muzio Clementi: Studies and Prospects, edited by Roberto Illiano, Luca Lévi Sala and Massimiliano Sala, Bologna, Ut Orpheus Edizioni, 2002 (Muzio Clementi Opera Omnia, 61), pp. 355-366.
— ‘Why Were Enharmonic Keyboards Built? — From Nicola Vicentino (1555) to Michael Bulywosky (1699)’, in: Schweizer Jahrbuch für Musikwissenschaft, Neue Folge XXII (2002), pp. 35-111.
— ‘The Italian Presence in the Musical Life of the Dutch Republic’, in: The Eighteenth-Century Diaspora of Italian Music and Musicians,edited by Reinhard Strohm, Tumhout, Brepols, 2001 (Speculum Musicae 8), pp. 177-210.
— Rudolf Rasch – Pieter Dirksen, ‘Eine neue Quelle zu Johann Jacob Frobergers Claviersuiten: Michael Bulyowskys Handschrift’, in: Musik in Baden-Württemberg,VIII (2001), pp. 133-154.
— ‘Tuning and Temperament’, in: The Cambridge History of Western Music Theory, edited by Thomas Christensen, Cambridge, Cambridge University Press, 2001, pp. 193-222.
— ‘Modes, Clefs, and Transpositions in the Early Seventeenth Century’, in: Theorie et analyse musicales 1450-1650: Actes du Colloque International Louvain-la-Neuve, 23-25 septembre 1999, edited by Anne-Emmanuelle Ceulemans and Bonnie Blackburn, Louvain-la-Neuve, Département d’histoire de l’art et d’archéologie, Collège Erasme, 2001 (Musicologica Neolovaniensia Studia, 9), pp. 403-432.
— ‘Johann Christian Bach in Eighteenth-Century Dutch Newspaper Announcements’, in: Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis,L (2000), pp. 5-51.
— ‘The Transpositions in Constantijn Huygens’s «Pathodia sacra et profana»(Paris 1647) Reconsidered’, in: Tijdschrift voor Muziektheorie, V (2000), pp. 26-38.
— ‘Use and Abuse of Gregorian Chant in the Eighteenth-Century Dutch Republic’, in: The Di Martinelli Music Collection (KULeuven, University Archives) — Musical Life in Collegiate Churches in the Low Countries and Europe — Chant and Polyphony, edited by Bruno Bouckaert and Eugeen Schreurs, Leuven/Peer, Alamire, 2000 (Yearbook of the Alamire Foundation, 4), pp. 331-355.
— ‘The Unification of Tonal Systems, or About the Circle of Fifths’, in: Journal of New Music Research, XXIX (2000), pp. 318-334.
— ‘Brossard, Ballard et Roger’, in: Sebastien de Brossard musicien, edited by Jean Duron, Versailles, Editions du Centre de Musique Baroque de Versailles; Paris, Klincksieck, 1998, pp. 239-259.
— ‘Some Remarks on Vivaldi’s Amsterdam Concerto (RV 562a)’, in: Informazioni e Studi Vivaldiani,XIX (1998), pp. 33-43.
— ‘The Editors of the «Livre Septième»’, in: Music Fragments and Manuscripts in the Low Countries / Alta Capella / Music Printing in Antwerp and Europe in the 16th Century,edited by Eugeen Schreurs and Henri Vanhulst, Leuven/Peer, Alamire, 1997 (Yearbook of the Alamire Foundation, 2), pp. 279-306.
— ‘The Musical Circle: From Alfonso to Beethoven, (I)’, in: Tijdschrift voor Muziektheorie,II (1997), pp. 1-17; ‘(II)’, pp. 110-133; ‘The Musical Circle III: Second Thoughts and Further Additions’, in: Tijdschrift voor Muziektheorie,IV (1999), pp. 23-39; ‘The Musical Circle IV: A General Theory’, pp. 206-213.
— ‘«La famosa mano di Monsieur Roger»: Antonio Vivaldi and His Dutch Publishers’, in: Informazioni e Studi Vivaldiani,XVII (1996), pp. 89-137; reprinted in Vivaldi, edited by Michael Talbot, Farnham (UK), Ashgate, 2011, pp. 241-289.
— ‘Estienne Roger and John Walsh: Patterns of Competition between Early-18th-Century Dutch and English Music Publishing’, in: The North Sea and Culture (1550-1800): Proceedings of the International Conference Held at Leiden 21-22 April 1995, edited by Juliette Roding and Lex Heerma van Voss, Hilversum, Verloren, 1996, pp. 396-407.
— ‘Corelli’s Contract: Notes on the Publication History of the «Concerti grossi… Opera sesta»[1714]’, in: Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis,XLVI (1996), pp. 83-136.
— ‘The Messaus-Bull Codex London, British Library, Additional Manuscript 23.623’, in: Belgisch Tijdschrift voor Muziekwetenschap, L (1996), pp. 93-127.
— ‘I manoscritti musicali nel lascito di Michel-Charles le Cène (1743)’, in: Intorno a Locatelli: Studi in occasione del tricentenario della nascita di Pietro Antonio Locatelli (1695-1764), edited by Albert Dunning, Lucca, Libreria Musicale Italiana, 1995 (Speculum Musicae, 1), pp. 1039-1070.
— ‘The Antwerp Duarte Family as Musical Patrons’, in: Orlandus Lassus and His Time: Colloquim Proceedings Antwerpen 24-26.08.1994, edited by Ignace Bossuyt, Eugeen Schreurs, Annelies Wouters, Leuven/Peer, Alamire, 1995 (Yearbook of the Alamire Foundation, 1), pp. 415-429.
— Rudolf Rasch – Thiemo Wind, ‘The Music Library of Cornelis Schuyt’, in: From Ciconia to Sweelinck: Donum Natalicium Willem Elders, edited by Albert Clement and Eric Jas, Amsterdam/Atlanta, Rodopi, 1994, pp. 327-353.
— ‘Van uniek tot Unico: De Concerti armonici van Unico Wilhelm van Wassenaer’, ‘Unico Wilhelm van Wassenaer’, ‘Het Haagse muziekleven in Unico Wilhelms dagen’, in: Unico Wilhelm van Wassenaer: Componist en staatsman,edited by Rudolf Rasch and Kees Vlaardingerbroek, Zutphen/Hilversum, WalburgPers/CNM, 1993, pp. 15-50, 51-86 and 121-180.
— ‘Pieter Meyer, Musician in Hamburg, Amsterdam, Sulzbach, and Hamburg’, in: Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, XL/1 (1990), pp. 36-74.
— ‘Johann Jakob Froberger and the Netherlands’, in: The Harpsichord and Its Repertoire: Proceedings of the International Harpsichord Symposium Utrecht 1990, edited by Pieter Dirksen, Utrecht, Stimu, 1992, pp. 121-141.
— ‘Farey Systems of Musical Intonation’, in: Contemporary Music Review,II (1988), pp. 31-67.
— ‘Integer Approximation of Musical Scale Frequencies’, in: Interface, XV (1986), pp. 25-34.
— Rudolf Rasch – Vincent Heetvelt, ‘String Inharmonicity and Piano Tuning’, in: Music Perception, IV (1986), pp. 171-190.
— ‘Does «Well-Tempered» Mean «Equal-Tempered»?’, in: Bach, Handel, Scarlatti: Tercentenary Essays, edited by Peter Williams, Cambridge, Cambridge University Press, 1985, pp. 293-310; reprinted in Bach, edited by Yo Tomita, Farnham (UK), Ashgate, 2011, pp. 511-528.
— ‘Relations Between Multiple Divions of the Octave and the Traditional Tonal System’, in: Interface, XIV (1985), pp. 75-108.
— ‘Theory of Helmholtz-Beat Frequencies’, in: Music Perception, I (1984), pp. 308-322.
— ‘Ban’s Intonation’, in: Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, XXXIII (1983), pp. 75-99.
— ‘Description of Regular Twelve-Tone Musical Tunings’, in: Journal of the Acoustical Society of America, LXXIII (1983), pp. 1023-1035.
— ‘Cornelis de Leeuw (c. 1613 – c. 1661)’, in: Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, XXVII (1977), pp. 1-27.
— ‘«Musica dis curae est»: The Life and Works of the Amsterdam Music Printer Paulus Matthysz (1613/4-1684)’, in: Quaerendo, IV (1974), pp. 86-99.
— ‘The «Balletti» of Giovanni Giacomo Gastoldi and the Musical History of the Netherlands’, in: Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, XXIV (1974), pp. 112-145.
— ‘Some Notes on the Camphuysen Manuscript’, in: Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, XXIII (1973), pp. 30-43.
— ‘Some Mid-Seventeenth-Century Dutch Collections of Instrumental Ensemble Music’, in: Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, XXII(1972), pp. 160-200.

Facsimile editions of text or music with substantial introduction
— R.H.M Bosanquet, An elementary Treatise on Musical Intervals and Temperament (London 1876), edited by Rudolf Rasch, Utrecht, Diapason Press, 1987 (Tuning and Temperament Library, 4).
— Christiaan Huygens, Le cycle harmonique (Rotterdam 1691), Novus cyclus harmonicus (Leiden 1724), with Dutch and English Translations, Utrecht, Diapason Press, 1984 (Tuning and Temperament Library, 6).
— Thomas Lupo, John Coprario, William Daman, XX Konincklycke Fantasien en noch IX Fantasien 3 Fioolen de Gamba, ‘t Amsterdam, Paulus Matthysz, 1648 , Peer (B), Musica-Alamire, 1987.
— Johann Georg Neidhardt, Beste und leichteste Temperatur des Monochordi (Jena 1706), Houten, Diapason Press, 2010 (Tuning and Temperament Library, 5A).
— Joseph Sauveur, Collected writings on musical acoustics (Paris 1700-1713), Utrecht, Diapason Press, 1984 (Tuning and Temperament Library, 2).
— Friedrich Suppig, Labyrinthus musicus, Calculus musicus. Facsimile of the Manuscripts Paris, Bibliothèque du Conservatoire Res. F 211-212 (Dated Dresden, 24 June 1722), Utrecht, Diapason Press, 1990 (Tuning and Temperament Library, 3).
— Andreas Werckmeister, Musicalische Temperatur (Quedlinburg 1691), Utrecht, Diapason Press, 1983 (Tuning and Temperament Library, 1).

Editions of (mostly) early music
Alphabetic by composer or title
— Quirinus van Blankenburg, Verzamelde klavierstukken, Utrecht, KVNM, 2001 (Muziek in de Republiek, 1).
— Luigi Boccherini, 6 Trii Op. 1, G 77-82, per 2 Violini e Violoncello, 2 vols., Bologna, Ut Orpheus Edizioni, 2011 (PEB, 25-26).
— Luigi Boccherini, 6 Duetti per 2 Violini, Bologna, Ut Orpheus Edizioni, 2007 (BCE, 29).
— Luigi Boccherini, Duetti Op. 3 no. 1-6, G 56-61 per 2 Violini, 6 vols., Bologna, Ut Orpheus Edizioni, 2008 (PEB, 17-22).
— Luigi Boccherini, 6 Sonate per Tastiera e Violino, Bologna, Ut Orpheus Edizioni, 2009 (BCE, 30).
— Luigi Boccherini, 6 Sonate Op. 5 G 25-30 per Violino e Pianoforte, 2 vols., Bologna, Ut Orpheus Edizioni, 2010 (PEB, 23-24).
— Elias Brunnenmüller, Two Sonatas for Flute and Figured Bass (1712), Utrecht, Diapason Press, 1985.
— «Cantiones natalitiae» I: Twaalf vierstemmige kerstliederen met basso continuo uit «Laudes vespertinae» (Antverpiæ 1629), Utrecht, Vereniging voor Nederlandse Muziekgeschiedenis, 1980 (Exempla Musica Neerlandica, 12.
— Cantiones natalitiae II: Twaalf kerstliederen met basso continuo uit «Cantiones natalitiæ» (Antverpiæ c. 1645) Cantiones natailiæ (Antverpiæ 165; /1667), Utrecht, Vereniging voor Nederlandse Muziekgeschiedenis, 1981 (Exempla Musica Neerlandica, 13).
— Charles Delusse, Air à la Grecque for Flute and Bass in the Diatonic, Chromatic and enharmonic Genres (1760), Utrecht, Diapason Press, 1984 (Corpus Microtonale, 22).
— Adriaan Fokker, Selected Musical Compositions 1948-1972, Utrecht, Diapason Press, 1987 (Corpus Microtonale, 1).
— Louis Gautier, Six sonates pour le clavecin, Oeuvre second (Den Haag 1763), Utrecht, KVNM, 2002 (Muziek uit de Republiek, 7).
— Leonhard Frischmuth, Tre sonate per il cembalo (Amsterdam 1755), Utrecht, KVNM, 2001 (Muziek in de Republiek, 6).
— George Frideric Handel, Quirinus van Blankenburg, Two Fugues on the Same Theme from «Six Fugues» (1735) and «Elementa musica» (1739), Utrecht, Diapason Press, 1985.
— Johann David Heinichen, Georg Andreas Sorge, Johann Philipp Kirnberger, Three Musical Circles for Keyboard, Utrecht, Diapason Press, 1983.
— Pieter Hellendaal, Eight Solos for the Violoncello with a Thorough Bass Opus 5 (1780), Utrecht, Vereniging voor Nederlandse Muziekgeschieenis, 1981 (Monumenta MusicaNeerlandica, 13).
— Johann Philipp Kirnberger, Clavierübungen, Erste-Vierte Sammlung (1761-1766), Utrecht, Diapason Press, 1985-1990.
— Johann Philipp Kirnberger, Sonata for Flute and Figured bass (G Major) with the Harmonic Seventh, from «Vermischte Musikalien» (1769), Utrecht, Diapason Press, 1984.
— Het klavierboek van Quirijn en Jacoba Elizabeth van Bambeek van Strijen (1752), Utrecht, KVNM, 2001 (Muziek in de Republiek, 5).
— Santo Lapis, Sonnates pour Ie clavessin (Den Haag 1746), Utrecht, KVNM, 2001 (Muziek uit de Republiek, 4).
— Cornelis Thymanszoon Padbrue, Two «Synphoniae in nuptias» for One (Two) Melody Instrument(s) and Bass (1641-1642), Utrecht, Diapason Press, 1985.
— David Petersen, Speelstukken 1683, Utrecht, Stimu, 1989.
— ‘t Uitnement Kabinet […] Volledige uitgave in 10 banden, Amsterdam, Groen, 1973-1978.
— Vingt et une suites pour Ie clavecin de Johann Jacob Froberger et d’autres auteurs: Dresden, Sachsische Landesbibliothek, Ms. 1-T-595 (Strasbourg, 1675), Straatsburg-Stuttgart, Convivium Musicum-Carus-Verlag, 2001 (Convivium Musicum, 5).
— Philippus van Wichel, Vier sonates voor viool en basso continuo uit «Fasciculus dulcedinis» (Antverpiæ 1678), Utrecht, Vereniging voor Nederlandse Muziekgeschiedenis, 1979 (Exempla Musica Neerlandica, 11).
— Philippus van Wichel, Four Triosonates from Fasciculus dulcedinis (Antverpiæ 1678), Utrecht, Vereniging voor Nederlandse Muziekgeschiedenis, 1982 (Exempla Musica Neerlandica, 14).