About Us Board Contact Us

10.6 C
Lucca
venerdì, Maggio 15, 2026

El cuarteto de cuerda en España de fines del siglo XVIII hasta la actualidad

Previous ConferencesEl cuarteto de cuerda en España de fines del siglo XVIII hasta la actualidad

20-21 de Marzo de 2014

Universidad de Granada

Facultad de Filosofía y Letras – Aula Magna (Congreso)

Facultad de Medicina – Aula Magna (Concierto del 20 de Marzo)

FORTHCOMING CONFERENCES

Philosophical Hermeneutics and Musical Interpretation

organised by Centro Studi Opera Omnia Luigi Boccherini IAM-Institute for Applied Musicology International Virtual Conference 19-21 June 2026 The Centro Studi Opera Omnia Luigi Boccherini and the Italian Institute...

Soundscapes of Entertainment: Music at Leisure in the 19th Century

organised by Centro Studi Opera Omnia Luigi Boccherini Juraj Dobrila University of Pula, Faculty of Educational Sciences Croatian Musicological Society Palazzetto Bru Zane ---------------- Juraj Dobrila University of Pula Faculty of...

Beyond the Drawing Room: Women in the Promotion of Music in the Long...

International Conference organized by Centro Studi Opera Omnia Luigi Boccherini Palazzetto Bru Zane – Centre de musique romantique française IAM-Institute for Applied Musicology ---------------- Lovere (BG), Centro Studi Opera...

The Reception of the Wiener Klassik in Central Europe in the Long Nineteenth...

International Conference organized by Centro Studi Opera Omnia Luigi Boccherini Palazzetto Bru Zane – Centre de musique romantique française (Venice) IAM-Institute for Applied Musicology ---------------- Lovere (BG), Centro Studi...

NEW RELEASES

Music and the Figurative Arts in the Baroque Era

edited by Florence Gétreau and Fulvia Morabito, Turnhout, Brepols, 2025 (Speculum Musicae, 59), pp. xv+448+16 color ills., ISBN 978-2-503-62184-5. Contents The figurative arts — or the...

The Body in Musical Performance: Knowledge, Gesture, and Identity

edited by Marcello Mazzetti, Turnhout, Brepols, 2025 (Applied Music Studies, 2),pp. xx+276, ISBN 978-2-503-62192-0. Contents This volume offers a groundbreaking exploration of musical embodiment across time,...

Perspectives on the Music of György Kurtág: Performance, Language and Memory

Edited by Rachel Beckles Willson and Gergely Fazekas, Turnhout, Brepols, 2025 (Contemporary Composers, 7), pp. xii+252, ISBN 978-2-503-61866-1.           Contents The present volume has been made possibile...

Embodied Musicology: Ways that Embodiment Shapes Performance and Reception

edited by Arnie Cox, Turnhout, Brepols, 2025 (Applied Music Studies, 1), ISBN 978-2-503-62191-3, pp. xvi+378. Contents For most of its history, as one might reasonably imagine,...