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edited by Galliano Ciliberti and Thomas Neal, Turnhout, Brepols, 2025 (Studies on Italian Music History, 21), pp. xx + 480, ISBN: 978-2-503-62185-2. Contents This volume offers...

Journal of Music Criticism 9 (2025)

Human Body, Musical Performance and its Visual Representation throughout History

organised by Centro Studi Opera Omnia Luigi Boccherini Conservatorio ‘Giuseppe Verdi’ di Torino ------------- Turin, Conservatorio ‘G. Verdi’ 19-21 March 2026 PROGRAMME

Intellectual Property and Music in the Theatre

International Conference organized by Centro Studi Opera Omnia Luigi Boccherini Research Group GRAE-MUSC, Universitat Autònoma de Barcelona Research Group ERASMUSH, Universidad de Oviedo ---------------- Barcelona, Institut d’Estudis Catalans 13-15 May...

Beyond Corelli: Geminiani and the Instrumental Music of his Time

organised by Centro Studi Opera Omnia Luigi Boccherini IAM-Institute for Applied Musicology ----------- Lovere (BG), Centro Studi Opera Omnia Luigi Boccherini Via Paglia 26/28 5-7 June 2026 PROGRAMME SOON

Philosophical Hermeneutics and Musical Interpretation

organised by Centro Studi Opera Omnia Luigi Boccherini IAM-Institute for Applied Musicology International Virtual Conference 19-21 June 2026 The Centro Studi Opera Omnia Luigi Boccherini and the Italian Institute...

Soundscapes of Entertainment: Music at Leisure in the 19th Century

organised by Centro Studi Opera Omnia Luigi Boccherini Juraj Dobrila University of Pula, Faculty of Educational Sciences Croatian Musicological Society Palazzetto Bru Zane ---------------- Juraj Dobrila University of Pula Faculty of...

Beyond the Drawing Room: Women in the Promotion of Music in the Long 19th Century

International Conference organized by Centro Studi Opera Omnia Luigi Boccherini Palazzetto Bru Zane – Centre de musique romantique française IAM-Institute for Applied Musicology ---------------- Lovere (BG), Centro Studi Opera...

The Reception of the Wiener Klassik in Central Europe in the Long Nineteenth Century: Legacy, Perspectives and Influences

International Conference organized by Centro Studi Opera Omnia Luigi Boccherini Palazzetto Bru Zane – Centre de musique romantique française (Venice) IAM-Institute for Applied Musicology ---------------- Lovere (BG), Centro Studi...

Intellectual Property and Music in the Theatre

Philosophical Hermeneutics and Musical Interpretation

Soundscapes of Entertainment: Music at Leisure in the 19th Century

Beyond the Drawing Room: Women in the Promotion of Music in the Long 19th Century

The Reception of the Wiener Klassik in Central Europe in the Long Nineteenth Century: Legacy, Perspectives and Influences

Intellectual Property and Music in the Theatre

Philosophical Hermeneutics and Musical Interpretation

Soundscapes of Entertainment: Music at Leisure in the 19th Century

Beyond the Drawing Room: Women in the Promotion of Music in the Long 19th Century

The Reception of the Wiener Klassik in Central Europe in the Long Nineteenth Century: Legacy, Perspectives and Influences

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Ad Parnassum Journal Vol. 23 – No. 45 – October 2025

Ad Parnassum Journal Vol. 23 – No. 44 – April 2025

«Sicut in caelo»: Sacred Music in Early Modern Italy

Journal of Music Criticism 9 (2025)

Human Body, Musical Performance and its Visual Representation throughout History

Intellectual Property and Music in the Theatre

Beyond Corelli: Geminiani and the Instrumental Music of his Time

Philosophical Hermeneutics and Musical Interpretation

Soundscapes of Entertainment: Music at Leisure in the 19th Century

Beyond the Drawing Room: Women in the Promotion of Music in the Long 19th Century

The Reception of the Wiener Klassik in Central Europe in the Long Nineteenth Century: Legacy, Perspectives and Influences

Embodied Musicology: Ways that Embodiment Shapes Performance and Reception

The Body in Musical Performance: Knowledge, Gesture, and Identity

Music and the Figurative Arts in the Baroque Era

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