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Intellectual Property and Music in the Theatre
International Conference organized by
Centro Studi Opera Omnia Luigi Boccherini
Research Group GRAE-MUSC, Universitat Autònoma de Barcelona
Research Group ERASMUSH, Universidad de Oviedo
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Barcelona, Institut d’Estudis Catalans
13-15 May...
Beyond Corelli: Geminiani and the Instrumental Music of his Time
Lovere (BG), Centro Studi Opera Omnia Luigi Boccherini
Via Paglia 26/28
5-7 June 2026
FORTHCOMING CONFERENCES
Philosophical Hermeneutics and Musical Interpretation
organised by
Centro Studi Opera Omnia Luigi Boccherini
IAM-Institute for Applied Musicology
International Virtual Conference
19-21 June 2026
The Centro Studi Opera Omnia Luigi Boccherini and the Italian Institute...
Soundscapes of Entertainment: Music at Leisure in the 19th Century
organised by
Centro Studi Opera Omnia Luigi Boccherini
Juraj Dobrila University of Pula, Faculty of Educational Sciences
Croatian Musicological Society
Palazzetto Bru Zane
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Juraj Dobrila University of Pula
Faculty of...
Beyond the Drawing Room: Women in the Promotion of Music in the Long...
International Conference organized by
Centro Studi Opera Omnia Luigi Boccherini
Palazzetto Bru Zane – Centre de musique romantique française
IAM-Institute for Applied Musicology
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Lovere (BG), Centro Studi Opera...
The Reception of the Wiener Klassik in Central Europe in the Long Nineteenth...
International Conference organized by
Centro Studi Opera Omnia Luigi Boccherini
Palazzetto Bru Zane – Centre de musique romantique française (Venice)
IAM-Institute for Applied Musicology
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Lovere (BG), Centro Studi...
NEW RELEASES
Music and the Figurative Arts in the Baroque Era
edited by Florence Gétreau and Fulvia Morabito, Turnhout, Brepols, 2025 (Speculum Musicae, 59), pp. xv+448+16 color ills., ISBN 978-2-503-62184-5.
Contents
The figurative arts — or the...
The Body in Musical Performance: Knowledge, Gesture, and Identity
edited by Marcello Mazzetti, Turnhout, Brepols, 2025 (Applied Music Studies, 2),pp. xx+276, ISBN 978-2-503-62192-0.
Contents
This volume offers a groundbreaking exploration of musical embodiment across time,...
Perspectives on the Music of György Kurtág: Performance, Language and Memory
Edited by Rachel Beckles Willson and Gergely Fazekas, Turnhout, Brepols, 2025 (Contemporary Composers, 7), pp. xii+252, ISBN 978-2-503-61866-1.
Contents
The present volume has been made possibile...
Embodied Musicology: Ways that Embodiment Shapes Performance and Reception
edited by Arnie Cox, Turnhout, Brepols, 2025 (Applied Music Studies, 1), ISBN 978-2-503-62191-3, pp. xvi+378.
Contents
For most of its history, as one might reasonably imagine,...