«I Don’t Belong Anywhere»: György Ligeti at 100
edited by Wolfgang Marx, Turnhout, Brepols, 2022 (Contemporary Composers, 4), pp. xii+288, ISBN 978-2-503-60240-0.
Contents
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The present volume has been made possibile by the friendly support...
The Theatres of Sylvano Bussotti
edited by Daniela Tortora, Turnhout, Brepols, 2020 (Contemporary Composers, 3), pp. xxiv+604, ISBN: 978-2-503-58952-7.
Contents
The première of Sylvano Bussotti’s La Passion selon Sade occurred fifty years ago in...
The Works of Kurt Weill: Transformations and Reconfigurations in 20th-Century Music
edited by Naomi Graber and Marida Rizzuti, Turnhout, Brepols, 2023 (Contemporary Composers, 5), pp. xii+278, ISBN 978-2-503-60674-3.
Contents
The Works of Kurt Weill: Transformations and Reconfigurations...
Max Richter: History, Memory and Nostalgia
edited by Delphine Vincent, Turnhout, Brepols, 2024 (Contemporary Composers, 6), pp. xx+354, ISBN 978-2-503-61185-3.
Contents
A major figure in the world of contemporary music, Max Richter...
Giacinto Scelsi: Music across the Borders
edited by Federico Celestini, Turnhout, Brepols, 2019 (Contemporary Composers, 2), pp. xxx+416, ISBN 978-2-503-58644-1.
Contents
under the auspices of the
Fondazione Isabella Scelsi
The opening of the archive of...
Perspectives on the Music of György Kurtág: Performance, Language and Memory
Edited by Rachel Beckles Willson and Gergely Fazekas, Turnhout, Brepols, 2025 (Contemporary Composers, 7), pp. xii+252, ISBN 978-2-503-61866-1.
Contents
The present volume has been made possibile...
In Search of Morton Feldman. A Portrait of the Composer at 100
edited by Benjamin R. Levy, Turhout, Brepols, 2026 (Contemporary Composers, 8), pp. xxii+292, ISBN 978-2-503-62471-6.
Contents
There is something inscrutable about Morton Feldman. His music resists...
John Williams. Music for Films, Television, and the Concert Stage
edited by Emilio Audissino, Turnhout, Brepols, 2018 (Contemporary Composers, 1), pp. xxiv+440, ISBN 978-2-503-58034-0.
Contents
Once mostly considered a commercial composer and a mere rewriter of...
Forthcoming Publications
Twentieth-Century Music Criticism and Racial Discourses
edited by Roberto Illiano, Turnhout, Brepols, 2026 (Music, Criticism & Politics, 14).
In recent decades, the relationship between music and criticism has been a key...
New Perspectives on the 19th-Century Cello
edited by George Kennaway, Turnhout, Brepols, 2026 (Speculum Musicae)
This book offers a rich variety of approaches to the nineteenth-century cello and cellists. Its range...
New Releases
Music and the Figurative Arts in the Baroque Era
edited by Florence Gétreau and Fulvia Morabito, Turnhout, Brepols, 2025 (Speculum Musicae, 59), pp. xv+448+16 color ills., ISBN 978-2-503-62184-5.
Contents
The figurative arts — or the...
The Body in Musical Performance: Knowledge, Gesture, and Identity
edited by Marcello Mazzetti, Turnhout, Brepols, 2025 (Applied Music Studies, 2),pp. xx+276, ISBN 978-2-503-62192-0.
Contents
This volume offers a groundbreaking exploration of musical embodiment across time,...
Perspectives on the Music of György Kurtág: Performance, Language and Memory
Edited by Rachel Beckles Willson and Gergely Fazekas, Turnhout, Brepols, 2025 (Contemporary Composers, 7), pp. xii+252, ISBN 978-2-503-61866-1.
Contents
The present volume has been made possibile...
Embodied Musicology: Ways that Embodiment Shapes Performance and Reception
edited by Arnie Cox, Turnhout, Brepols, 2025 (Applied Music Studies, 1), ISBN 978-2-503-62191-3, pp. xvi+378.
Contents
For most of its history, as one might reasonably imagine,...