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Journal of Music Criticism

The Journal of Music Criticism is a yearly Peer-Reviewed musicological Journal, and aims to become an international scholarly reference point in the field of the music criticism research.

JMC deals exclusively with topics on music criticism. The journal accepts contributions in Italian, English, French, Spanish and German. Each issue includes articles of major scholarly interest and each of them Is provided with an English abstract.

Journal of Music Criticism 7 (2023)

Registered Tribunale di Lucca - RG n. 1323/2017 | ISSN 2532-9995 | © Centro Studi Opera Omnia Luigi Boccherini. All rights reserved. Jean Nattiez...

Journal of Music Criticism 6 (2022)

Registered Tribunale di Lucca - RG n. 1323/2017 | ISSN 2532-9995 | © Centro Studi Opera Omnia Luigi Boccherini. All rights reserved. Sounds of...

Journal of Music Criticism 5 (2021)

Registered Tribunale di Lucca - RG n. 1323/2017 | ISSN 2532-9995 | © Centro Studi Opera Omnia Luigi Boccherini. All rights reserved. Introduction. The...

Journal of Music Criticism 4 (2020)

Registered Tribunale di Lucca - RG n. 1323/2017 | ISSN 2532-9995 | © Centro Studi Opera Omnia Luigi Boccherini. All rights reserved. Between Englishness...

Journal of Music Criticism 3 (2019)

Registered Tribunale di Lucca - RG n. 1323/2017 | ISSN 2532-9995 | © Centro Studi Opera Omnia Luigi Boccherini. All rights reserved. Perspectives on the...

Journal of Music Criticism 2 (2018)

Registered Tribunale di Lucca - RG n. 1323/2017 | ISSN 2532-9995 | © Centro Studi Opera Omnia Luigi Boccherini. All rights reserved. La crítica...

Journal of Music Criticism 1 (2017)

Registered Tribunale di Lucca - RG n. 1323/2017 | ISSN 2532-9995 | © Centro Studi Opera Omnia Luigi Boccherini. All rights reserved. Claves estéticas...

Forthcoming Publications

The Composer-Conductor Figure between the 19th and 20th Centuries

edited by Roberto Illiano, Turnhout, Brepols, 2026 (Speculum Musicae, 61). Between the nineteenth and twentieth centuries, many great musicians served as both composers and conductors,...

In Search of Morton Feldman. A Portrait of the Composer at 100

edited by Benjamin R. Levy, Turhout, Brepols, 2026 (Contemporary Composers, 8). There is something inscrutable about Morton Feldman. His music resists analysis, first through...

Twentieth-Century Music Criticism and Racial Discourses

edited by Roberto Illiano, Turnhout, Brepols, 2026 (Music, Criticism & Politics, 14). In recent decades, the relationship between music and criticism has been a key...

New Perspectives on the 19th-Century Cello

edited by George Kennaway, Turnhout, Brepols, 2026 (Speculum Musicae) This book offers a rich variety of approaches to the nineteenth-century cello and cellists. Its range...

New Releases

Music and the Figurative Arts in the Baroque Era

edited by Florence Gétreau and Fulvia Morabito, Turnhout, Brepols, 2025 (Speculum Musicae, 59), pp. xv+448+16 color ills., ISBN 978-2-503-62184-5. Contents The figurative arts — or the...

The Body in Musical Performance: Knowledge, Gesture, and Identity

edited by Marcello Mazzetti, Turnhout, Brepols, 2025 (Applied Music Studies, 2),pp. xx+276, ISBN 978-2-503-62192-0. Contents This volume offers a groundbreaking exploration of musical embodiment across time,...

Perspectives on the Music of György Kurtág: Performance, Language and Memory

Edited by Rachel Beckles Willson and Gergely Fazekas, Turnhout, Brepols, 2025 (Contemporary Composers, 7), pp. xii+252, ISBN 978-2-503-61866-1.           Contents The present volume has been made possibile...

Embodied Musicology: Ways that Embodiment Shapes Performance and Reception

edited by Arnie Cox, Turnhout, Brepols, 2025 (Applied Music Studies, 1), ISBN 978-2-503-62191-3, pp. xvi+378. Contents For most of its history, as one might reasonably imagine,...