- Claves estéticas de la primera recepción de la teoría wagneriana en Madrid
José Ignacio Suárez García (Universidad de Oviedo) | suarezignacio@uniovi.es
Please wait while flipbook is loading. For more related info, FAQs and issues please refer to DearFlip WordPress Flipbook Plugin Help documentation.
- Mussolini, la critica musicale italiana e i festival della Società Internazionale di Musica Contemporanea in Italia negli anni Venti
Davide Ceriani (Rowan University, Glassboro, NJ) | ceriani@rowan.edu
Please wait while flipbook is loading. For more related info, FAQs and issues please refer to DearFlip WordPress Flipbook Plugin Help documentation.
A Tale of Two Critics; or, A Wolf at the Door: Recovering a Critical Dialogue between Eduard Hanslick and Hugo Wolf
Timothy R. McKinney (Baylor University, Waco, TX) | Timothy_McKinney@baylor.edu
Please wait while flipbook is loading. For more related info, FAQs and issues please refer to DearFlip WordPress Flipbook Plugin Help documentation.
Che cosa hanno da dire i compositori in merito alla musica per film? Il caso «Modern Music»
Marida Rizzuti (Università degli Studi di Torino) | marida.rizzuti@gmail.com
Please wait while flipbook is loading. For more related info, FAQs and issues please refer to DearFlip WordPress Flipbook Plugin Help documentation.
«Brother Criticus»: Stravinsky ‘the Serialist’ against Music Criticism
Massimiliano Locanto (Università degli Studi di Salerno) | mlocanto@unisa.it
Please wait while flipbook is loading. For more related info, FAQs and issues please refer to DearFlip WordPress Flipbook Plugin Help documentation.