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domenica, Giugno 14, 2026
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Music, Science and Technology

Directed by Massimiliano Sala
This series investigates the relationships between music, science and technology; specifically, it aims to publish the most up-to-date research in the field of music and science in the widest possible sense, from the relationships with neuroscience to the clinical-therapeutic implications of music therapy and educational aspects in music pedagogy.
Emphasis is given to the deepening of acoustic physics, sound engineering and the relationship between mathematics and music in music theory and the compositional process.

Scholarly Committee
Elaine Chew (Queen Mary University of London) Ian Cross (University of Cambridge)
Thomas Fiore (University of Michigan-Dearborn) Andrew King (University of Hull) Massimiliano Locanto (Università degli Studi di Salerno)

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Forthcoming Publications

The Composer-Conductor Figure between the 19th and 20th Centuries

edited by Roberto Illiano, Turnhout, Brepols, 2026 (Speculum Musicae, 61). Between the nineteenth and twentieth centuries, many great musicians served as both composers and conductors,...

In Search of Morton Feldman. A Portrait of the Composer at 100

edited by Benjamin R. Levy, Turhout, Brepols, 2026 (Contemporary Composers, 8). There is something inscrutable about Morton Feldman. His music resists analysis, first through...

Twentieth-Century Music Criticism and Racial Discourses

edited by Roberto Illiano, Turnhout, Brepols, 2026 (Music, Criticism & Politics, 14). In recent decades, the relationship between music and criticism has been a key...

New Perspectives on the 19th-Century Cello

edited by George Kennaway, Turnhout, Brepols, 2026 (Speculum Musicae) This book offers a rich variety of approaches to the nineteenth-century cello and cellists. Its range...

New Releases

Music and the Figurative Arts in the Baroque Era

edited by Florence Gétreau and Fulvia Morabito, Turnhout, Brepols, 2025 (Speculum Musicae, 59), pp. xv+448+16 color ills., ISBN 978-2-503-62184-5. Contents The figurative arts — or the...

The Body in Musical Performance: Knowledge, Gesture, and Identity

edited by Marcello Mazzetti, Turnhout, Brepols, 2025 (Applied Music Studies, 2),pp. xx+276, ISBN 978-2-503-62192-0. Contents This volume offers a groundbreaking exploration of musical embodiment across time,...

Perspectives on the Music of György Kurtág: Performance, Language and Memory

Edited by Rachel Beckles Willson and Gergely Fazekas, Turnhout, Brepols, 2025 (Contemporary Composers, 7), pp. xii+252, ISBN 978-2-503-61866-1.           Contents The present volume has been made possibile...

Embodied Musicology: Ways that Embodiment Shapes Performance and Reception

edited by Arnie Cox, Turnhout, Brepols, 2025 (Applied Music Studies, 1), ISBN 978-2-503-62191-3, pp. xvi+378. Contents For most of its history, as one might reasonably imagine,...