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CALL FOR PAPERS 2027
Diaspora of Musicians in the Long Nineteenth Century
organised by
Centro Studi Opera Omnia Luigi Boccherini
Palazzetto Bru Zane – Centre de musique romantique française
IAM-Institute for Applied Musicology
Lovere (BG), Centro Studi Opera Omnia Luigi...
Music Periodicals as Ideological Arenas. Taste, Power, and the Making of Musical Discourse
International Conference
organised by
Centro Studi Opera Omnia Luigi Boccherini
Research Group ERASMUSH, University of Oviedo
Oviedo, Edificio Histórico de la Universidad
20-22 May 2027
CALL FOR PAPERS
The Centro...
Sounds of Madness, Soundscapes of Care: Music, Mental Health, and Places from Antiquity to...
International Virtual Conference
organised by
Centro Studi Opera Omnia Luigi Boccherini
IAM-Institute for Applied Musicology
9-11 June 2027
CALL FOR PAPERS
The Centro Studi Opera Omnia Luigi Boccherini and the...
Music as Memory: Historical, Cognitive and Cultural Perspectives
International Virtual Conference
organised by
Centro Studi Opera Omnia Luigi Boccherini
IAM-Institute for Applied Musicology
22-24 September 2027
CALL FOR PAPERS
The Centro Studi Opera Omnia Luigi Boccherini and the...
The Golden Strings: The Harp and its World in the Nineteenth Century
organised by
Centro Studi Opera Omnia Luigi Boccherini
Palazzetto Bru Zane – Centre de musique romantique française
IAM-Institute for Applied Musicology
Lovere (BG), Centro Studi Opera Omnia Luigi...
FORTHCOMING CONFERENCES
Beyond the Drawing Room: Women in the Promotion of Music in the Long...
International Conference
Lovere (BG), Centro Studi Opera Omnia Luigi Boccherini
(Via Giorgio Paglia 26/28)
16-18 October 2026
PROGRAMME
The Reception of the Wiener Klassik in Central Europe in the Long Nineteenth...
International Conference
Lovere (BG), Centro Studi Opera Omnia Luigi Boccherini
Via Paglia 26/28
13-14 November 2026
PROGRAMME
PREVIOUS CONFERENCES
NEW RELEASES
Music and the Figurative Arts in the Baroque Era
edited by Florence Gétreau and Fulvia Morabito, Turnhout, Brepols, 2025 (Speculum Musicae, 59), pp. xv+448+16 color ills., ISBN 978-2-503-62184-5.
Contents
The figurative arts — or the...
The Body in Musical Performance: Knowledge, Gesture, and Identity
edited by Marcello Mazzetti, Turnhout, Brepols, 2025 (Applied Music Studies, 2),pp. xx+276, ISBN 978-2-503-62192-0.
Contents
This volume offers a groundbreaking exploration of musical embodiment across time,...
Perspectives on the Music of György Kurtág: Performance, Language and Memory
Edited by Rachel Beckles Willson and Gergely Fazekas, Turnhout, Brepols, 2025 (Contemporary Composers, 7), pp. xii+252, ISBN 978-2-503-61866-1.
Contents
The present volume has been made possibile...
Embodied Musicology: Ways that Embodiment Shapes Performance and Reception
edited by Arnie Cox, Turnhout, Brepols, 2025 (Applied Music Studies, 1), ISBN 978-2-503-62191-3, pp. xvi+378.
Contents
For most of its history, as one might reasonably imagine,...












