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Music Criticism 1950-2000

Organized by Centro Studi Opera Omnia Luigi Boccherini, Lucca Societat Catalana de Musicologia, Barcelona Institut d’Estudis Catalans Barcelona, Carrer del Carme 47 09-11 October 2017

Professor Reicha: Practice and Legacy of a Composer-Teacher

Organized by Centro Studi Opera Omnia Luigi Boccherini, Lucca Lucca, Complesso Monumentale di San Micheletto 10-12 November 2017

Music, Cinema, and Modernism. The Works and Heritage of Kurt Weill between Europe and...

Virtual Conference, 20-21 May 2021 Keynote Speakers Nils Grosch (Universität Salzburg) Stephen Hinton (Stanford University)

Beyond Corelli: Geminiani and the Instrumental Music of his Time

Lovere (BG), Centro Studi Opera Omnia Luigi Boccherini Via Paglia 26/28 5-7 June 2026  

Italian Film Music, 1950s-1970s

Between Tradition, Innovation, and Internationalisation Organized by Centro Studi Opera Omnia Luigi Boccherini, Lucca Virtual conference 16-17 October 2021

Between Centres And Peripheries

Music in Europe from the French Revolution until WWI (1789-1914) Organized by Centro Studi Opera Omnia Luigi Boccherini, Lucca Research Group ERASMUSH, University of Oviedo (Oviedo, Spain) Palazzetto...

Music Criticism 1900-1950

Organized by Centro Studi Opera Omnia Luigi Boccherini, Lucca Societat Catalana de Musicologia, Barcelona Institut d’Estudis Catalans Barcelona, Carrer del Carme 47 17-19 October 2016

Musical Interpretation and Performance from the 19th to the 21st Century

organised by Centro Studi Opera Omnia Luigi Boccherini Palazzetto Bru Zane – Centre de musique romantique française, Venice in collaboration with IAM - Italian Institute for Applied Musicology Bergamo,...

Massenet and the Mediterranean World

30 November-2 December 2012 Lucca (Italy), Complesso Monumentale di San Micheletto organized by Centro Studi Opera Omnia Luigi Boccherini, Lucca in association with Palazzetto Bru Zane – Centre de...

Chamber Music 1850-1918

On the occasion of the birth anniversaries of Antonín Dvořák and César Franck Organized by Centro Studi Opera Omnia Luigi Boccherini, Lucca Palazzetto Bru Zane – Centre...

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CALL FOR PAPERS 2027

Diaspora of Musicians in the Long Nineteenth Century

organised by Centro Studi Opera Omnia Luigi Boccherini Palazzetto Bru Zane – Centre de musique romantique française IAM-Institute for Applied Musicology Lovere (BG), Centro Studi Opera Omnia Luigi...

Music Periodicals as Ideological Arenas. Taste, Power, and the Making of Musical Discourse

International Conference organised by Centro Studi Opera Omnia Luigi Boccherini Research Group ERASMUSH, University of Oviedo Oviedo, Edificio Histórico de la Universidad 20-22 May 2027 CALL FOR PAPERS The Centro...

Sounds of Madness, Soundscapes of Care: Music, Mental Health, and Places from Antiquity to...

International Virtual Conference organised by Centro Studi Opera Omnia Luigi Boccherini IAM-Institute for Applied Musicology 9-11 June 2027 CALL FOR PAPERS The Centro Studi Opera Omnia Luigi Boccherini and the...

Music as Memory: Historical, Cognitive and Cultural Perspectives

International Virtual Conference organised by Centro Studi Opera Omnia Luigi Boccherini IAM-Institute for Applied Musicology 22-24 September 2027 CALL FOR PAPERS The Centro Studi Opera Omnia Luigi Boccherini and the...

The Golden Strings: The Harp and its World in the Nineteenth Century

organised by Centro Studi Opera Omnia Luigi Boccherini Palazzetto Bru Zane – Centre de musique romantique française IAM-Institute for Applied Musicology Lovere (BG), Centro Studi Opera Omnia Luigi...

FORTHCOMING CONFERENCES

Beyond the Drawing Room: Women in the Promotion of Music in the Long...

International Conference Lovere (BG), Centro Studi Opera Omnia Luigi Boccherini (Via Giorgio Paglia 26/28) 16-18 October 2026 PROGRAMME  

The Reception of the Wiener Klassik in Central Europe in the Long Nineteenth...

International Conference Lovere (BG), Centro Studi Opera Omnia Luigi Boccherini Via Paglia 26/28 13-14 November 2026 PROGRAMME  

PREVIOUS CONFERENCES

NEW RELEASES

Music and the Figurative Arts in the Baroque Era

edited by Florence Gétreau and Fulvia Morabito, Turnhout, Brepols, 2025 (Speculum Musicae, 59), pp. xv+448+16 color ills., ISBN 978-2-503-62184-5. Contents The figurative arts — or the...

The Body in Musical Performance: Knowledge, Gesture, and Identity

edited by Marcello Mazzetti, Turnhout, Brepols, 2025 (Applied Music Studies, 2),pp. xx+276, ISBN 978-2-503-62192-0. Contents This volume offers a groundbreaking exploration of musical embodiment across time,...

Perspectives on the Music of György Kurtág: Performance, Language and Memory

Edited by Rachel Beckles Willson and Gergely Fazekas, Turnhout, Brepols, 2025 (Contemporary Composers, 7), pp. xii+252, ISBN 978-2-503-61866-1.           Contents The present volume has been made possibile...

Embodied Musicology: Ways that Embodiment Shapes Performance and Reception

edited by Arnie Cox, Turnhout, Brepols, 2025 (Applied Music Studies, 1), ISBN 978-2-503-62191-3, pp. xvi+378. Contents For most of its history, as one might reasonably imagine,...