International Virtual Conference
06-09 May 2021
The Centro Studi Opera Omnia Luigi Boccherini of Lucca, the Research Group ERASMUSH of the University of Oviedo (Spain) and the Palazzetto Bru Zane – Centre de musique romantique française of Venice are pleased to promote the symposium «Between Centres and Peripheries: Music in Europe from the French Revolution until WWI (1789-1914)», to be held from Thursday 06 until Sunday 09 May 2021.
Download the Conference Programme
Programme Committee:
- Maria Encina Cortizo Rodriguez (Universidad de Oviedo)
- Roberto Illiano (Centro Studi Opera Omnia Luigi Boccherini)
- Étienne Jardin (Palazzetto Bru Zane – Centre de musique romantique française)
- Fulvia Morabito (Centro Studi Opera Omnia Luigi Boccherini)
- Massimiliano Sala (Centro Studi Opera Omnia Luigi Boccherini)
- Ramón Sobrino (Universidad de Oviedo)
- José Ignacio Suárez (Universidad de Oviedo)
Keynote Speakers:
- Étienne Jardin (Palazzetto Bru Zane)
- Yvan Nommick (Université de Montpellier 3)
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PROGRAMME
THURSDAY 6 MAY
10.15-10.30 Opening
- Fulvia Morabito (Centro Studi Opera Omnia Luigi Boccherini)
- Ramón Sobrino (Universidad de Oviedo)
- ÉtIenne JardIn (Palazzetto Bru Zane, Venice)
10.30-11.30 Models of Music Production in the Peripheries (1)
(Chair:Massimiliano Sala, Centro Studi Opera Omnia Luigi Boccherini)
- Sophie Horrocks (Durham University), Culture Wars in the French Peripheries: Travelling Troupesand the 9th«arrondissement» between 1824-64
- Ivana Vesić (Institute of Musicology SASA, Belgrade), For the ‘Pure’National and High-Art Values: Music Production and Performance in the Kingdom of Serbia (1882-1914)
12.00-13.00 Keynote Speaker 1
- Étienne Jardin (Palazzetto Bru Zane, Venice), Rethinking Interactions between French Music Schools and Paris Conservatoire during the 19thCentury
15.00-16.00 Music for New Spaces and the Circulation of Music in Different Contexts
(Chair:Étienne Jardin, Palazzetto Bru Zane, Venice)
- Sarah Fuchs (Syracuse University), Centres, Peripheries, and Phono-Cinéma-Théâtre (1900-1903)
- Clément Noël (EHESS, Paris), Le «Couronnement de la Muse du Peuple» de Gustave Charpentier : un théâtre citoyen à la rencontre des provinces françaises (1897-1914)
16.30-18.00
- Rosemary Golding (The Open University), On the Edges of Society: The Hidden Musical Cultures of Nineteenth-century British Lunatic Asylums
- Quentin Dishman (University of Minnesota),«Hommes, enfants, femmes, nous répondrons!»: The Chanteuse Patriotique in Paris’ Cafés-Concerts, 1870-1889
- Floris Meens (Radboud University), «Lust zu einer Soiree»: The Nineteenth-centuryTransfer of Music (Cultures) between The Netherlands and Germany
FRIDAY 7 MAY
10.00-11.00 Models of Music Production in the Peripheries (2)
(Chair: Ramón Sobrino, Universidad de Oviedo)
- Francesc Cortès i Mir (Universitat Autònoma de Barcelona),Mirando a París y Bayreuth: las representaciones óperísticas del G. T. del Liceu de Barcelona en el cambio de siglo
- María Sanhuesa Fonseca (Universidad de Oviedo), Acordes de una existencia: el entorno musical de los marqueses de Canillejas (Asturias–Madrid) en el tránsito al siglo xx
11.30-12.30
Fernando Barrera-Ramírez (Universidad de Cádiz),En la periferia de la periferia: música y bandolerismo en torno a la figura de Diego Corrientes
- Belén Vargas Liñán (Universidad de Granada), Centro y periferia en la Península Ibérica: relaciones musicales entre Granada y Madrid en el siglo xix
15.00-15.45 Keynote Speaker 2
- Yvan Nommick (Université Paul-Valéry, Montpellier 3): Paris – Vienne, 1890-1914 : singularités et convergences musicales
16.00-18.30 Models of Music Production in the Peripheries (2)
(Chair: Yvan Nommick, Université de Montpellier 3)
- Annette Kappeler – Giulia Brunello – RaphaëlBortolotti (HKB – Bern University of the Arts), An Italian Provincial Theatre: Repertoire, Public, Actors, Administration and Stage Material of Feltre’s Teatro Sociale in the 19thCentury
Universality vs. Nationality
- Bella Brover-Lubovsky (Jerusalem Academy of Music and Dance), Music and Social Mobility in the Late Eighteenth-Century Russian Empire
- Axel Klein (Research Associate, Research Foundation for Music in Ireland-RFMI), Music in and from Ireland: Perspectives on an Ununited Kingdom
- Ivan Moody (CESEM – Universidade NOVA, Lisbon), Centre and Periphery: Symphonic Identity in Portugal
- Virginia E. Whealton (Texas Tech University), Poland as Periphery and Musical Center: Wojciech/Albert Sowinski’s Theorizations of Polish Musical Identity
SATURDAY 8 MAY
9.00-10.30 Redefining Centres and Peripheries in European Music
(Chair: José Ignacio Suárez García, Universidad de Oviedo)
- Michael Christoforidis (The University of Melbourne), Spanish Estudiantinas, the Popular Music Stage and Sonorities of the Belle Époque
- María Encina Cortizo (Universidad de Oviedo),The Attraction of the Periphery: Sounds from a Picturesque Spain Imagined by the Other in the 19thCentury
- Miriam Perandones Lozano (Universidad de Oviedo), Quinito Valverde in Paris (1907-1912): An Approach to the Study
11.00-12.30
- Jonathan Mallada Álvarez (Universidad de Oviedo), ¿Centro español, periferia europea? Los casos de Fuller y Frégoli en la escena madrileña (1893-1896)
- Klára Hedvika Mühlová (Masaryk University, Brno), Czech and Slovak Music Theory in the Long 19thCentury and its Contextual Transformations
- Jeroen van Gessel (State University Groningen), «I’ve Been Lucky with the Operas!»: Music Tourism and the Making of European Music Capitals
14.30-16.30 Cultural Transfer of Music
(Chair: Fulvia Morabito, Centro Studi Opera Omnia Luigi Boccherini)
- David Conway (Honorary Research Associate, University College London), Roma, Magyar, Jew – The Spread of ‘Gipsy’Music in the long 19thCentury
- Gloria A. Rodríguez-Lorenzo (Universidad de Oviedo) – Francisco J. Giménez-Rodríguez(Universidad de Granada), Between Hungary and Spain: Musical Encounters behind Europe
- Alessandra Palidda (Oxford Brooks University), Music for the ‘Nation’: The Creation of a Transnational Musical Style between Paris and Republican Milan
- Matthieu Cailliez (Université Grenoble Alpes), Le théâtre lyrique en Corse et en Algérie française au miroir de la presse musicale européenne (1830-1870)
17.00-18.00
- Maria Alice Volpe (Federal University of Rio de Janeiro),«Concertos Populares» as Models of Production, Dissemination and Reception of French and Brazilian Symphonic Music in the late Nineteenth- and early Twentieth-century Rio de Janeiro
- Kelvin H. F. Lee (University of Leuven), Enescu’s Formal Fields: Centre, Periphery and Cultural Transfer
SUNDAY 9 MAY
9.00-10.30 Music from the Peripheries: Genres and Repertoires
(Chair Étienne Jardin, Palazzetto Bru Zane, Venice)
- Nancy November (The University of Auckland),Arrangement or Derrangement? Cultivating Arrangements of Public Music in the Early Nineteenth-Century Viennese Home
- Ramón Sobrino (Universidad de Oviedo), La internacionalización de la música española a través de Sarasate y el repertorio para violín en la segunda mitadl del siglo xix: jotas, habaneras y zapateados en Europa
- Nicolas Boiffin (Sorbonne Université), Centres and Peripheries of a Musical Genre: The Idea of «Lied» in the German Music Criticism between 1875 and 1914
11.00-12.30
(Chair: Roberto Illiano, Centro Studi Opera Omnia Luigi Boccherini)
- Eric Boaro (University of Nottingham),City Bands, Orphanages and Amateur Organists. Sacred Music in the Lombard Countryside at the End of the Nineteenth Century
- Aviram Freiberg (University of Haifa), The Csakan as Representative of Biedermeier Culture
- Daniela Braun (Kunstunversität Graz), Joining the Center and the Periphery – The Viola d’amore at the Paris Opera
15.00-16.00 The Commercialization of Music
(Chair: Maria Encina Cortizo Rodriguez, Universidad de Oviedo)
- Martina Kalser-Gruber (Danube University Krems), Viennese Operetta Composers and their Publishers: A Love-Hate Relationship?
- Peter Mondelli (University of North Texas), A Goguette Assemblage: A Manuscript Chansonnier in an Age of Print
16.30-18.00 The Reception and Adaptations of the Canon on the Margins of Europe
- Nuria Blanco Álvarez (Universidad de Oviedo), La huella bufa de Offenbach en las zarzuelas de Manuel Fernández Caballero
- Andrea Garcia Torres (Universidad de Oviedo), Rising Modern Theatre: The Reception of «Vaudeville» on the Spanish Stage
- José Ignacio Suárez García (Universidad de Oviedo), Relatos periféricos: Richard Wagner como instrumento narrativo en la literatura menor española del último tercio del siglo xix