Ad Parnassum Journal – Vol. 17 – No. 34 – October 2019

358

Ad Parnassum Journal – Vol. 17 – No. 34 – October 2019, pp. 168

ARTICLES

José Aparisi Aparisi, Antonio Ezquerro Esteban
Una obra espuria de Haydn y de cómo se acomodaron a la danza algunas melodías del dramma giocoso L’arbore di Diana de Vicente Martín y Soler

Barry Cooper
New Light on Some Beethoven Works of Doubtful Authenticity

Bianca Schumann
Ein ‘deutscher’ Franzose? Die Rezeption von Camille Saint-Saëns’ symphonischer Programmmusik im Wiener Pressediskurs (1876-1889)


REVIEWS

Chad Fothergill
Music and Power in the Baroque Era

Benedetta Saglietti
Pleasing and Interesting Anecdotes: An Autobiography of Giacomo Gotifredo Ferrari (1763-1842)

James Garratt
Sara Levy’s World: Gender, Judaism, and the Bach Tradition in Enlightenment Berlin

Maria Teresa Arfini
Elisabetta Righini, Giovanni Battista Cirri (1724-1808): memoria e sintesi dell’«inventio sonora»

Jane Hines
Natasha Loges, Brahms and His Poets: A Handbook

Mariateresa Storino
Joanne Cormac, Liszt and the Symphonic Poem

Lucas Berton
Nouvelles perspectives sur le spectacles en province (XVIIIe-XXe siècle)

Contributors

Books Received

Abstracts

Index of Names

Previous articleLuigi Cherubini: A Multifaceted Composer at the Turn of the 19th Century
Next articleAnna G. Piotrowska, From Gypsy to Bohemian: A Study of the Musical Rhapsody