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Music and War from Napoleon to the WWI

Organized by Centro Studi Opera Omnia Luigi Boccherini, Lucca Palazzetto Bru Zane - Centre de musique romantique française, Venice Lucca, Complesso monumentale di San Micheletto 28-30 November 2014

The théâtre musical léger in Europe: From the Operetta to the Music-hall

Organized by Centro Studi Opera Omnia Luigi Boccherini, Lucca Palazzetto Bru Zane - Centre de musique romantique française, Venice Lucca, Complesso monumentale di San Micheletto 5-7 October 2015

Jewishness & the Arts: Music And Composers in 19th-Century Europe

Organized by Centro Studi Opera Omnia Luigi Boccherini, Lucca Palazzetto Bru Zane - Centre de musique romantique française, Venice Rome, Accademia Filarmonia Romana 13-15 October 2015

Nineteenth-Century Music Criticism

Organized by Centro Studi Opera Omnia Luigi Boccherini, Lucca Lucca, Complesso Monumentale di San Micheletto 10-12 November 2015

Muzio Clementi and the British Musical Scene

Organized by Centro Studi Opera Omnia Luigi Boccherini, Lucca Lucca, Complesso Monumentale di San Micheletto 24-26 November 2015

Gli scambi musicali fra Italia e Spagna nei secoli XVIII e XIX

Organized by Centro Studi Opera Omnia Luigi Boccherini, Lucca Roma, Instituto Cervantes, Piazza Navona, 91-92 3-5 maggio 2016

Nineteenth-Century Programme Music

Organized by Centro Studi Opera Omnia Luigi Boccherini, Lucca Lucca, Complesso Monumentale di San Micheletto 25-27 November 2016

Music and Power in the Baroque Era

Organized by Centro Studi Opera Omnia Luigi Boccherini, Lucca Lucca, Complesso Monumentale di San Micheletto 11-13 November 2016  

Music Criticism 1900-1950

Organized by Centro Studi Opera Omnia Luigi Boccherini, Lucca Societat Catalana de Musicologia, Barcelona Institut d’Estudis Catalans Barcelona, Carrer del Carme 47 17-19 October 2016

The Many Faces of Camille Saint-Saëns

Organized by Centro Studi Opera Omnia Luigi Boccherini, Lucca Palazzetto Bru Zane – Centre de musique romantique française, Venice Lucca, Complesso Monumentale di San Micheletto 7-9 October 2016

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Intellectual Property and Music in the Theatre

International Conference organized by Centro Studi Opera Omnia Luigi Boccherini Research Group GRAE-MUSC, Universitat Autònoma de Barcelona Research Group ERASMUSH, Universidad de Oviedo ---------------- Barcelona, Institut d’Estudis Catalans 13-15 May...

Beyond Corelli: Geminiani and the Instrumental Music of his Time

Lovere (BG), Centro Studi Opera Omnia Luigi Boccherini Via Paglia 26/28 5-7 June 2026  

FORTHCOMING CONFERENCES

Philosophical Hermeneutics and Musical Interpretation

organised by Centro Studi Opera Omnia Luigi Boccherini IAM-Institute for Applied Musicology International Virtual Conference 19-21 June 2026 The Centro Studi Opera Omnia Luigi Boccherini and the Italian Institute...

Soundscapes of Entertainment: Music at Leisure in the 19th Century

organised by Centro Studi Opera Omnia Luigi Boccherini Juraj Dobrila University of Pula, Faculty of Educational Sciences Croatian Musicological Society Palazzetto Bru Zane ---------------- Juraj Dobrila University of Pula Faculty of...

Beyond the Drawing Room: Women in the Promotion of Music in the Long...

International Conference organized by Centro Studi Opera Omnia Luigi Boccherini Palazzetto Bru Zane – Centre de musique romantique française IAM-Institute for Applied Musicology ---------------- Lovere (BG), Centro Studi Opera...

The Reception of the Wiener Klassik in Central Europe in the Long Nineteenth...

International Conference organized by Centro Studi Opera Omnia Luigi Boccherini Palazzetto Bru Zane – Centre de musique romantique française (Venice) IAM-Institute for Applied Musicology ---------------- Lovere (BG), Centro Studi...

NEW RELEASES

Music and the Figurative Arts in the Baroque Era

edited by Florence Gétreau and Fulvia Morabito, Turnhout, Brepols, 2025 (Speculum Musicae, 59), pp. xv+448+16 color ills., ISBN 978-2-503-62184-5. Contents The figurative arts — or the...

The Body in Musical Performance: Knowledge, Gesture, and Identity

edited by Marcello Mazzetti, Turnhout, Brepols, 2025 (Applied Music Studies, 2),pp. xx+276, ISBN 978-2-503-62192-0. Contents This volume offers a groundbreaking exploration of musical embodiment across time,...

Perspectives on the Music of György Kurtág: Performance, Language and Memory

Edited by Rachel Beckles Willson and Gergely Fazekas, Turnhout, Brepols, 2025 (Contemporary Composers, 7), pp. xii+252, ISBN 978-2-503-61866-1.           Contents The present volume has been made possibile...

Embodied Musicology: Ways that Embodiment Shapes Performance and Reception

edited by Arnie Cox, Turnhout, Brepols, 2025 (Applied Music Studies, 1), ISBN 978-2-503-62191-3, pp. xvi+378. Contents For most of its history, as one might reasonably imagine,...