About Us Board Contact Us

13.8 C
Lucca
domenica, Ottobre 2, 2022

Nineteenth-Century Music Criticism

Music, Criticism & PoliticsNineteenth-Century Music Criticism

edited by Teresa Cascudo, Turnhout, Brepols, 2017 (Music, Criticism & Politics, 3), pp. xxiv + 526, ISBN 978-2-503-57497-4.

Contents

The “long nineteenth century” encompasses what has been described by some authors as “newspaper civilization”. Music was fundamental for many men and women who lived during that century. Not surprisingly, at this time, music was a common theme in the press.

On the one hand, news, chronicles and criticism played a central part in the musical market, since the success of that market was predicated on the dissemination of information about performers, musical events and new repertoires. On the other hand, as we have observed, the prominence of music opened the door to new types of critical reflection in longer essays. Writings about music in those years were the result of artistic aspirations and preferences; the same writings also present evidence of prejudices and modes of perception marked by specific ideological issues. This volume collects twenty-two articles that address these issues, focusing on case studies in Europe and America. The collection reflects the growing importance of music criticism in particular and the press in general as objects of study for contemporary musicology.

FORTHCOMING CONFERENCES

Transcending Nationalism: Music in Russia and East-Central Europe at the Turn of the 19th...

organized by Centro Studi Opera Omnia Luigi Boccherini   (Virtual Conference) 25 – 27 November 2022 Keynote Speakers: Christoph Flamm (University of Heidelberg) Tatjana Marković (Austrian Academy of...

Gender, Sexuality and Eroticism on the Lyric Stage

organized by Centro Studi Opera Omnia Luigi Boccherini (Lucca) Palazetto Bru Zane – Centre de musique romantique française, Venice Virtual conference (28-30 October 2022) Keynote Speakers: Mark Everist (University...

Early Music Pedagogy Then and Now. From the Classical Antiquity to the Renaissance

Organized by Centro Studi Opera Omnia Luigi Boccherini, Lucca Istituto Italiano di Musica Antica Palma Choralis® Research Group (Brescia, 9-11 December 2022) Keynote Speakers: Barnabé Janin (Conservatoire National Supérieur...

Music and Institutions in Fascist Italy

organized by Centro Studi Opera Omnia Luigi Boccherini (Lucca) Virtual conference 7-9 October 2022 Keynote Speakers: Annalisa Capristo (Centro Studi Americani, Rome) Erik Levi (Royal Holloway, University of...

NEW RELEASES

«I Don’t Belong Anywhere»: György Ligeti at 100

edited by Wolfgang Marx, Turnhout, Brepols, 2022 (Contemporary Composers, 4), pp. pp. xii+288, ISBN 978-2-503-60240-0. Contents --- The present volume has been made possibile by the friendly support...

Music and Science from Leonardo to Galileo

edited by Rudolf Rasch, Turnhout, Brepols, 2022 (Music, Science & Technology, 5), pp. xl+440, ISBN 978-2-503-60080-2. Contents Music is not only an art (either as the...

Music in the Disruptive Era

edited by David Hurwitz and Pedro Ordóñez Eslava, Turnhout, Brepols, 2022 (Music, Science & Technology, 4), pp. xii+272, ISBN 978-2-503-60079-6. Contents Music in the Disruptive Era...

Ad Parnassum Journal – Vol. 20 – No. 38- April 2022

Go to Ad Parnassum Page Ad Parnassum Vol. 20 - No. 38 - April 2022 pp. 112 ARTICLES Michael Talbot Two Unsuspected New Violin Sonatas by Tomaso Albinoni in the...

Boccherini, Luigi. Sinfonie concertanti – Symphonies concertantes (G 491, 523) [Opera Omnia – Vol....

edited by Fulvia Morabito and Massimiliano Sala, Bologna, Ut Orpheus Edizioni, 2019 , ISMN: 979-0-2153-2538-8, ISBN: 978-88-8109-509-4, BCE 10. Contents Preview Go to the Publisher's Page   Under the definition ‘Symphonie concertante’...