Ad Parnassum Journal – Vol. 17 – No. 33 – April 2019

317

Ad Parnassum Journal – Vol. 17 – No. 33 – April 2019, pp. 118

ARTICLES

Piotr Wilk

The Concerto in the Œuvre of Nicola Fiorenza

Giusy De Berardinis

Gaetano Valeri, «esimio armonista» a Padova

Davide Mingozzi

«Non l’Armonia ma la Melodia». La ricezione italiana de L’Art du chant appliqué au piano di Sigismund Thalberg

REVIEWS

Joan Grimalt: Les grands topoï du xixe siècle et la musique de Franz Liszt, edited by Márta Grabócz

Benedetta Saglietti: Florence Gétreau. Voir la musique

Jennifer Walker: The Many Faces of Camille Saint-Saëns, edited by Michael Stegemann

Matteo Macinanti: Giorgio Antoniotto. L’Arte Armonica or a Treatise on the Composition of Musick, Facsimile of the edition J. Johnson 1760, with an Introduction by Deborah Burton

David HurwitzBeverly Jerold. Music Performance Issues: 1600-1900; The Complexities of Early Instrumentation: Winds and Brass

Federico GonSergio Durante. Tartini, Padova, l’Europa,

Contributors

Books Received

Abstracts

Index of Names

Previous articleJ. Hirshberg. Tragedy and Lieto Fine in Romantic Opera Seria
Next articleSymphonism in Nineteenth-Century Europe